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Table of Contents

  1. Forging a Cosmopolitan Ideal: Mario Lavista’s Early Music
  2. Ana R. Alonso-Minutti
  3. pp. 169-196
  4. restricted access
  1. “They’re Stealing Our Music”: The Argentinísima Controversy, National Culture Boundaries, and the Rise of a Bolivian Nationalist Discourse
  2. Fernando Rios
  3. pp. 197-227
  4. restricted access
  1. Evita, el Che, Gardel y el gol de Victorino: Funciones y significados del sampleo en el tango electrónico
  2. María Emilia Greco, Rubén López Cano
  3. pp. 228-259
  4. restricted access
  1. The Cultural Positioning of the Banda de Músicos in the Central Andes of Peru
  2. Joshua Katz-Rosene
  3. pp. 260-288
  4. restricted access
  1. Cumbia! Scenes of a Migrant Latin American Music Genre ed. by Héctor Fernández L’hoeste and Pablo Semán, and: Cumbia: Nación, etnia y género en Latinoamerica ed. by Pablo Semán and Pablo Vila, and: Troubling Gender: Youth and Cumbia in Argentina’s Music Scene by Pablo Vila and Pablo Semán (review)
  2. Juan Agudelo
  3. pp. 289-293
  4. restricted access
  1. Musics of Latin America ed. by Robin Moore and Walter Aaron Clark (review)
  2. Noel Allende Goitía
  3. pp. 294-296
  4. restricted access
  1. The Arhoolie Foundation’s Strachwitz Frontera Collection of Mexican and Mexican American Recordings by Agustín Gurza, with Jonathan Clark and Chris Strachwitz (review)
  2. Donald Henriques
  3. pp. 296-298
  4. restricted access
  1. The Accordion in the Americas: Klezmer, Polka, Tango, Zydeco, and More! ed. by Helena Simonett (review)
  2. Susan Hurley-Glowa
  3. pp. 298-301
  4. restricted access
  1. Embodying Mexico: Tourism, Nationalism, and Performance by Ruth Hellier-Tinoco (review)
  2. Kim Kattari
  3. pp. 302-304
  4. restricted access
  1. Contracanto: Una perspectiva semiótica de la obra temprana de Silvestre Revueltas by Roberto Kolb Neuhaus (review)
  2. Rubén López Cano
  3. pp. 305-307
  4. restricted access
  1. Silvestre Revueltas en escena y en pantalla: La música de Silvestre Revueltas para el cine y la escena by Eduardo Contreras Soto, and: Contracanto: Una perspectiva semiótica de la obra temprana de Silvestre Revueltas by Roberto Kolb Neuhaus (review)
  2. Leonora Saavedra
  3. pp. 308-312
  4. restricted access
  1. Los libros de polifonía de la Catedral de México: Estudio y catálogo crítico by Javier Marín López (review)
  2. Juan Francisco Sans
  3. pp. 312-315
  4. restricted access
  1. Afro-Cuban Music: A Bibliographic Guide by John Gray (review)
  2. Amanda Villepastour
  3. pp. 315-318
  4. restricted access
  1. Contributors
  3. pp. 319-320
  4. restricted access