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À la recherche du vrai Socrate
- Journal of the Royal Musical Association
- Oxford University Press
- Volume 133, Part 1, 2008
- pp. 1-31
- Article
- Additional Information
Socrate, Erik Satie's self-acknowledged masterpiece, generated various interpretations but still remains problematic. This article adopts a genetic perspective and, through the analysis of the most interesting 'key passage' (bars 46-59 of Le banquet), adds to the understanding of the passage itself (the interpenetration between the figures of Satie, Socrates and Christ as sacrificial victims) and of the work as a whole. In this regard, the category of homogeneity is presented as the most relevant.