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In this Issue

Table of Contents

  1. Caustun’s Contrafacta
  2. John Milsom
  3. pp. 1-31
  4. restricted access
  1. Composition as an Act of Performance: Artifice and Expression in Purcell’s Sacred Partsong Since God so tender a regard
  2. Alan Howard
  3. pp. 32-59
  4. restricted access
  1. Searching for the Plot: Charles-Valentin Alkan’s Souvenirs: Trois morceaux dans le genre pathétique, Op. 15
  2. Jacqueline Waeber
  3. pp. 60-114
  4. restricted access
  1. Catching Dreams: Editing Film Scores for Publication
  2. Ben Winters
  3. pp. 115-140
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  1. The Politics of the Urlinie in Schenker's Der Tonwille and Der freie Satz
  2. Suzannah Clark
  3. pp. 141-164
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  1. The Dent Medal
  2. pp. 165-166
  3. restricted access