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  • Notes on Contributors

Kevin Brazil (kevin.brazil@new.ox.ac.uk) is a DPhil candidate at New College, University of Oxford. He is writing a thesis entitled “The Work of Painting in Late Modernist Fiction,” which explores the ways in which post-war writers engaged with the visual arts and the legacies of modernism. He is also editing Samuel Beckett’s Ill Seen Ill Said for the Beckett Digitial Manuscripts Project. His research interests are in the relations between literature and other media in the twentieth century, and in genetic criticism.

Ria Cheyne (riacheyne@googlemail.com) is deputy director of the Centre for Culture and Disability Studies, Liverpool Hope University, UK. Her research focuses on disability in twentieth and twenty-first century literature, particularly genre fiction. She has guest-edited a special issue of the Journal of Literary & Cultural Disability Studies, “Popular Genres and Disability Representation” (2012), and has published articles in Science Fiction Studies and Extrapolation. She is currently working on a monograph on disability in contemporary genre fiction.

Ross Hair (R.Hair@uea.ac.uk) is lecturer in American studies at the University of East Anglia. He is the author of Ronald Johnson’s Modernist Collage Poetry (Palgrave Macmillan, 2010) and co-editor of Minting the Sun: A New Selection of Ted Walker’s Poetry (U of Chichester P, 2010). He has also written on Jonathan Williams, Lorine Niedecker, Ian Hamilton Finlay, and Thomas A Clark. His poetry has been published in Shearsman and LVNG.

Karalyn Kendall-Morwick (klkendal@indiana.edu) holds a PhD in English from Indiana University Bloomington, where she is a visiting lecturer. Her research focuses on representations of animals in twentieth-century British and American literature and culture. She is currently working on a monograph entitled “Mongrelized Subjects: Modernism and Human/Dog Coevolution,” which examines dogs’ privileged role in modernist reconfigurations of the human and its relationship to animality. Her published work includes an article in The Evolutionary Review (Spring 2013) and a chapter in the edited collection Queering the Non/Human (Ashgate, 2008).

Madoka Kishi (kshmdk@gmail.com) is currently pursuing a PhD in English at Louisiana State University. She earned degrees in English (BA and MA) from the University of Tokyo, Japan. Her research focuses primarily on sexuality and market capitalism in American fiction. She has also published an essay on Zora Neale Hurston in The Journal of the American Literature Society in Japan. [End Page 212]

Jūratė Levina (juratelevin@gmail.com) is a postdoctoral researcher at the Centre for Modern Studies, University of York. Her doctoral thesis, “T.S. Eliot’s Aesthetics of Immediacy,” examined the manifestations of Eliot’s concern with the link between language and perception in his prose and poetry. Her publications include articles on the tension between linguistic structures and sensuous perception in John Banville and Virginia Woolf, and the Lithuanian translation of Stephen Greenblatt’s Will in the World: How Shakespeare Became Shakespeare.

Martin Lockerd (mlockerd@gmail.com) is pursuing a doctoral degree in English literature at the University of Texas–Austin. His critical work has been published in the Yeats Eliot Review and the Dictionary of Literary Biography. He is currently working on his dissertation, Decadent Catholicism and the Making of Modernism, which examines the role of Roman Catholicism in British literary decadence and the modernist poetry of W.B. Yeats and T.S. Eliot.

Rosemary Luttrell (luttrell.rosemary@gmail.com) is completing her doctorate at The University of Georgia, writing her dissertation on modes of attention in Henry James, D.H. Lawrence, and James Baldwin. Her essay on Woolf in this issue of jml, though it lies outside the scope of the dissertation, is part of the same program of research on the attention economy of late nineteenth and early twentieth century writers.

Kate Mcloughlin (k.mcloughlin@bbk.ac.uk) is a senior lecturer in English literature at Birkbeck, University of London. She is the author of Martha Gellhorn: The War Writer in the Field and in the Text (2007) and Authoring War: The Literary Representation of War from the Iliad to Iraq (2011) and editor of The Cambridge Companion to War Writing (2009). She is currently editing a volume of essays, The...

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