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Table of Contents

  1. Why Modernist Claims for Autonomy Matter
  2. Charles Altieri
  3. pp. 1-21
  4. DOI: https://doi.org/10.2979/jml.2009.32.3.1
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  1. Relativity, Quantum Physics, and Consciousness in Virginia Woolf's To the Lighthouse
  2. Paul Tolliver Brown
  3. pp. 39-62
  4. DOI: https://doi.org/10.2979/jml.2009.32.3.39
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  1. "I Was Convulsed, Pitiably Hideous": Convulsive Shock Treatment in Leonora Carrington's Down Below
  2. Ann Hoff
  3. pp. 83-98
  4. DOI: https://doi.org/10.2979/jml.2009.32.3.83
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  1. Phenomenology of Absence: Benjamin, Nietzsche and History in Cees Nooteboom's All Souls Day
  2. Philip Broadbent
  3. pp. 99-120
  4. DOI: https://doi.org/10.2979/jml.2009.32.3.99
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  1. Outselves: Beckett, Bion and Beyond
  2. Luke Thurston
  3. pp. 121-143
  4. DOI: https://doi.org/10.2979/jml.2009.32.3.121
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  1. From "Ha he hi ho hu. Mummum" to "Haw! Hell! Haw!": Listening to Laughter in Joyce and Beckett
  2. Adrienne Janus
  3. pp. 144-166
  4. DOI: https://doi.org/10.2979/jml.2009.32.3.144
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  1. Reading Beckett's Chora
  2. Gina Masucci MacKenzie
  3. pp. 167-175
  4. DOI: https://doi.org/10.2979/jml.2009.32.3.167
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  1. Modernism's Weird Sisters: A Review of Christine Coffman's Insane Passions
  2. Jonathan Eburne
  3. pp. 176-178
  4. DOI: https://doi.org/10.2979/jml.2009.32.3.176
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  1. From Text To . . .
  2. Timothy Carmody
  3. pp. 179-183
  4. DOI: https://doi.org/10.2979/jml.2009.32.3.179
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  1. Editor's Introduction
  2. Jean-Michel Rabaté
  3. pp. v-vi
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  1. Notes on Contributors
  2. pp. 184-186
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