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Table of Contents

  1. “Trembling Leaves”: Manuscript and Print in the Amoretti
  2. Eva Gold
  3. pp. 1-41
  4. DOI: https://doi.org/10.1353/jem.2001.0013
  5. restricted access
  1. Interpreting The Irish Masque at Court and in Print
  2. Lauren Shohet
  3. pp. 42-65
  4. DOI: https://doi.org/10.1353/jem.2001.0016
  5. restricted access
  1. “A Wittall cannot be a cookold”: Reading the Contented Cuckold in Early Modern English Drama and Culture
  2. Jennifer Panek
  3. pp. 66-92
  4. DOI: https://doi.org/10.1353/jem.2001.0020
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  1. Courtship, Marriage Vows, and Political Metaphor in Vanbrugh’s The Relapse and The Provoked Wife
  2. Carlos J. Gómez
  3. pp. 93-123
  4. DOI: https://doi.org/10.1353/jem.2001.0003
  5. restricted access
  1. Empirical Evidence: Anglo-American Race, Literature, and History
  2. Jones DeRitter
  3. pp. 124-133
  4. DOI: https://doi.org/10.1353/jem.2001.0006
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  1. Travel Knowledge: European ‘Discoveries’ in the Early Modern Period ed. by Ivo Kamps and Jyotsna Singh (review)
  2. Jonathan Burton
  3. pp. 134-137
  4. DOI: https://doi.org/10.1353/jem.2001.0009
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  1. Lost Property: The Woman Writer and English Literary History, 1380–1589 by Jennifer Summit (review)
  2. Laurie Finke
  3. pp. 138-141
  4. DOI: https://doi.org/10.1353/jem.2001.0012
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  1. Handmaid to Divinity: Natural Philosophy, Poetry, and Gender in Seventeenth–Century England by Hellegers, Desiree (review)
  2. Andrew Tumminia
  3. pp. 141-145
  4. DOI: https://doi.org/10.1353/jem.2001.0015
  5. restricted access
  1. Contributors
  3. pp. 146-147
  4. DOI: https://doi.org/10.1353/jem.2001.0018
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