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Table of Contents

  1. Henry James and Dirty French Novels
  2. Peter Brooks
  3. pp. 202-212
  4. DOI: https://doi.org/10.1353/hjr.2007.0017
  5. restricted access
  1. What Does Jamesian Style Want?
  2. David Kurnick
  3. pp. 213-222
  4. DOI: https://doi.org/10.1353/hjr.2007.0025
  5. restricted access
  1. "Ghostlier Demarcations, Keener Sounds": Scare Quotes in "The Jolly Corner"
  2. Lee Clark Mitchell
  3. pp. 223-231
  4. DOI: https://doi.org/10.1353/hjr.2007.0016
  5. restricted access
  1. A Fitting "Form": The Ethical Bearing of a Keyword in Roderick Hudson
  2. Rebekah Scott
  3. pp. 232-241
  4. DOI: https://doi.org/10.1353/hjr.2007.0024
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  1. "Monstrous Levity": Between Realism and Vision in Two of Henry James's Artist-Tales
  2. Daniel T. O'Hara
  3. pp. 242-248
  4. DOI: https://doi.org/10.1353/hjr.2007.0020
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  1. "The Plot against Narration: Disavowal in The Spoils of Poynton"
  2. Christine McBride
  3. pp. 249-258
  4. DOI: https://doi.org/10.1353/hjr.2007.0014
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  1. Narrative Refusals and Generic Transformation in Austen and James: What Doesn't Happen in Northanger Abbey and The Spoils of Poynton
  2. Robyn R. Warhol
  3. pp. 259-268
  4. DOI: https://doi.org/10.1353/hjr.2007.0026
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  1. "Conventional Signs and Consecrations": Henry James's Theatrical Forms, from "The Théâtre Français" to The Portrait of a Lady
  2. Andrew Eastham
  3. pp. 269-280
  4. DOI: https://doi.org/10.1353/hjr.2007.0019
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  1. The "Interminable Dramatic Daisy Miller"
  2. William A. Wortman
  3. pp. 281-291
  4. DOI: https://doi.org/10.1353/hjr.2007.0015
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  1. Stupid Sensations: Henry James, Good Form, and Reading Middlemarch Without a Brain
  2. Kent Puckett
  3. pp. 292-298
  4. DOI: https://doi.org/10.1353/hjr.2007.0022
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  1. Opera and the Novel: The Case of Henry James (review)
  2. David L. Mosley
  3. pp. 299-301
  4. DOI: https://doi.org/10.1353/hjr.2007.0018
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  1. Index to Volume 28
  3. pp. 304-305
  4. DOI: https://doi.org/10.1353/hjr.2007.0023
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  1. Jamesian Forms: Introduction
  2. Susan M. Griffin
  3. pp. 199-201
  4. DOI: https://doi.org/10.1353/hjr.2007.0021
  5. restricted access