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Table of Contents

  1. Announcements
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/hjr.2012.0014
  5. restricted access
  1. Interest and Aesthetic Judgment in Henry James’s Late Novels
  2. Oliver Brewis
  3. pp. 95-109
  4. DOI: https://doi.org/10.1353/hjr.2012.0008
  5. restricted access
  1. A Personal Quantity: On Sexuality and Jamesian Style
  2. Scott St. Pierre
  3. pp. 110-126
  4. DOI: https://doi.org/10.1353/hjr.2012.0009
  5. restricted access
  1. “A Restorative Reaction”: Henry James’s “The Altar of the Dead” and Mourning in the Modern City
  2. Christopher Stuart
  3. pp. 127-146
  4. DOI: https://doi.org/10.1353/hjr.2012.0010
  5. restricted access
  1. Henry James and the Plunder of Sentiment: Building the House of Modernism from The Spoils of Poynton
  2. Bonita Rhoads
  3. pp. 147-164
  4. DOI: https://doi.org/10.1353/hjr.2012.0011
  5. restricted access
  1. The Portrait’s Two Faces: James’s “The Special Type” and “The Tone of Time”
  2. Michal Peled Ginsburg
  3. pp. 165-176
  4. DOI: https://doi.org/10.1353/hjr.2012.0012
  5. restricted access
  1. “Call Me Isabel”: Reverberations of James’s Archetypal Plots in the Lives of His Readers
  2. Kathleen Lawrence
  3. pp. 177-187
  4. DOI: https://doi.org/10.1353/hjr.2012.0013
  5. restricted access
  1. Overtones of Opera in American Literature from Whitman to Wharton (review)
  2. Jennifer Eimers
  3. pp. 188-190
  4. DOI: https://doi.org/10.1353/hjr.2012.0015
  5. restricted access