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Table of Contents

  1. The "Partagé Child" and the Emergence of the Modernist Novel in What Maisie Knew
  2. Michelle H. Phillips
  3. pp. 95-110
  4. DOI: https://doi.org/10.1353/hjr.0.0078
  5. restricted access
  1. The Imp of the Perverse: Metaphor in The Golden Bowl
  2. Edgar Dryden
  3. pp. 111-124
  4. DOI: https://doi.org/10.1353/hjr.0.0083
  5. restricted access
  1. "This Matter of Attention and Discrimination": Henry James's Essays on Speech, Manners, and American Women
  2. Dana Ringuette
  3. pp. 125-141
  4. DOI: https://doi.org/10.1353/hjr.0.0081
  5. restricted access
  1. The New Woman, Portable Property and The Spoils of Poynton
  2. Deborah Wynne
  3. pp. 142-153
  4. DOI: https://doi.org/10.1353/hjr.0.0082
  5. restricted access
  1. The Double Life in the Cage: The Queering of the Social in Henry James's Late Short Fiction
  2. Thomas A. Laughlin
  3. pp. 154-168
  4. DOI: https://doi.org/10.1353/hjr.0.0079
  5. restricted access
  1. "Rather Rude Jolts": Henry James, Serial Novels, and the Art of Fiction
  2. Rachel Ihara
  3. pp. 188-206
  4. DOI: https://doi.org/10.1353/hjr.0.0080
  5. restricted access
  1. Henry James, Shakespeare's Biography, and the Question of National Identity in "The Birthplace" and "The Introduction to TheTempest"
  2. John P. McCombe
  3. pp. 169-187
  4. DOI: https://doi.org/10.1353/hjr.0.0084
  5. restricted access