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Table of Contents

  1. Satirical Dialogism in the Paratext of Bonaventure Des Périers' Nouvelles Récréations et Joyeux Devis
  2. Bernd Renner
  3. pp. 1-14
  4. DOI: https://doi.org/10.1353/frf.0.0021
  5. restricted access
  1. On Inventing Unknownness: The Poetry of Disenchanted Reenchantment (Leopardi, Baudelaire, Rimbaud, Justice)
  2. Ross Chambers
  3. pp. 15-36
  4. DOI: https://doi.org/10.1353/frf.0.0038
  5. restricted access
  1. Mythologie de la Chauve-Souris: Le Vampire et ses avatars chez Baudelaire et Barbey D'Aurevilly
  2. Maya Hadeh
  3. pp. 37-52
  4. DOI: https://doi.org/10.1353/frf.0.0037
  5. restricted access
  1. Literature of Ideas and Paul Bourget's Republican Pedagogy
  2. Leon Sachs
  3. pp. 53-72
  4. DOI: https://doi.org/10.1353/frf.0.0024
  5. restricted access
  1. Révolution politique et vérité intérieure: Misère de la poésie d'André Breton
  2. Francis Guévremont
  3. pp. 73-85
  4. DOI: https://doi.org/10.1353/frf.0.0041
  5. restricted access
  1. Beauvoir Speaks for Sartre: Ambiguous Ethics in La Cérémonie des adieux
  2. Eilene Hoft-March
  3. pp. 87-102
  4. DOI: https://doi.org/10.1353/frf.0.0026
  5. restricted access
  1. Conversing with a Bavard
  2. Anne McConnell
  3. pp. 103-119
  4. DOI: https://doi.org/10.1353/frf.0.0023
  5. restricted access
  1. The Politics of the Novel and Maurice Blanchot's Theory of the Récit, 1954–1964
  2. Daniel Just
  3. pp. 121-139
  4. DOI: https://doi.org/10.1353/frf.0.0043
  5. restricted access
  1. "L'appareil à renverser le sens de la terreur": Bataille lecteur de Paulhan
  2. Elisabeth Arnould-Bloomfield
  3. pp. 141-159
  4. DOI: https://doi.org/10.1353/frf.0.0017
  5. restricted access
  1. Fantasme voyeuriste et perversion narcissique dans Le Ravissement de Lol V. Stein de Marguerite Duras
  2. Sandrine Léopold
  3. pp. 161-178
  4. DOI: https://doi.org/10.1353/frf.0.0042
  5. restricted access
  1. "Le Cerceau De Papier": Mémoire, Écriture et Circularité Dans Passion Simple Et Se Perdre d'Annie Ernaux
  2. Emmanuelle Lacore-Martin
  3. pp. 179-193
  4. DOI: https://doi.org/10.1353/frf.0.0019
  5. restricted access
  1. Au Pire: Language, Violence and the Totalitarian Ideology of Origins in Ionesco's La leçon and Césaire's Une tempête
  2. Jeanette Patterson
  3. pp. 195-213
  4. DOI: https://doi.org/10.1353/frf.0.0044
  5. restricted access
  1. Albert Cohen: variations sur un thème de Chaplin
  2. Pedro Pardo Jiménez
  3. pp. 215-226
  4. DOI: https://doi.org/10.1353/frf.0.0033
  5. restricted access
  1. Ils cachent plus qu'ils ne montrent: autour du cinéma des frères Dardenne
  2. Jean-Benoît Gabriel
  3. pp. 227-243
  4. DOI: https://doi.org/10.1353/frf.0.0039
  5. restricted access
  1. Sex, the City and the Cinematic: The Possibilities of Female Spectatorship in Claire Denis's Vendredi soir
  2. Neil Archer
  3. pp. 245-260
  4. DOI: https://doi.org/10.1353/frf.0.0034
  5. restricted access
  1. Sublimity and Skepticism in Montaigne and Milton (review)
  2. Mark Cohen
  3. pp. 261-264
  4. DOI: https://doi.org/10.1353/frf.0.0029
  5. restricted access
  1. Rousseau's Aesthetics of Feeling: Time, Place and the Arts in Julie ou La Nouvelle Héloïse (review)
  2. Zoe Petropoulou
  3. pp. 264-266
  4. DOI: https://doi.org/10.1353/frf.0.0036
  5. restricted access
  1. Ourika. Edouard. Olivier ou le Secret (review)
  2. Doris Kadish
  3. pp. 266-268
  4. DOI: https://doi.org/10.1353/frf.0.0022
  5. restricted access
  1. Optiques: The Science of the Eye and the Birth of Modern French Fiction (review)
  2. Eduardo A. Febles
  3. pp. 269-271
  4. DOI: https://doi.org/10.1353/frf.0.0018
  5. restricted access
  1. Proust's Deadline (review)
  2. Margaret E. Gray
  3. pp. 271-273
  4. DOI: https://doi.org/10.1353/frf.0.0032
  5. restricted access
  1. La terreur à l'oeuvre: théorie, poétique et éthique chez Jean Paulhan (review)
  2. Ann Smock
  3. pp. 274-277
  4. DOI: https://doi.org/10.1353/frf.0.0028
  5. restricted access
  1. Pascal Quignard ou le fonds du monde (review)
  2. Gaspard Turin
  3. pp. 277-279
  4. DOI: https://doi.org/10.1353/frf.0.0035
  5. restricted access
  1. Assia Djebar: Out of Algeria (review)
  2. Jimia Boutouba
  3. pp. 279-282
  4. DOI: https://doi.org/10.1353/frf.0.0031
  5. restricted access
  1. Calixthe Beyala: Performances of Migration (review)
  2. Dominic Thomas
  3. pp. 283-285
  4. DOI: https://doi.org/10.1353/frf.0.0025
  5. restricted access
  1. Black France: Colonialism, Immigration, and Transnationalism (review)
  2. Peter J. Bloom
  3. pp. 286-288
  4. DOI: https://doi.org/10.1353/frf.0.0020
  5. restricted access
  1. Paris Primitive: Jacques Chirac's Museum on the Quai Branly (review)
  2. Dominic Thomas
  3. pp. 288-292
  4. DOI: https://doi.org/10.1353/frf.0.0016
  5. restricted access
  1. France from 1851 to the Present: Universalism in Crisis (review)
  2. Sabine Loucif
  3. pp. 292-294
  4. DOI: https://doi.org/10.1353/frf.0.0040
  5. restricted access
  1. Jean-Pierre Jeunet (review)
  2. Michelle Scatton-Tessier
  3. pp. 294-296
  4. DOI: https://doi.org/10.1353/frf.0.0015
  5. restricted access
  1. Amélie, French Film Guides (review)
  2. Michelle Scatton-Tessier
  3. pp. 296-298
  4. DOI: https://doi.org/10.1353/frf.0.0030
  5. restricted access
  1. Books Received
  3. pp. 299-301
  4. DOI: https://doi.org/10.1353/frf.0.0027
  5. restricted access