+ MUSE Alert

In this Issue

Table of Contents

  1. Editorial
  2. Paul Cronin, James Riley, Drake Stutesman
  3. p. 561
  4. DOI: https://doi.org/10.1353/frm.2011.0085
  5. restricted access
  1. "The Wanderer," Part 2
  2. Peter Whitehead
  3. pp. 563-569
  4. DOI: https://doi.org/10.1353/frm.2011.0099
  5. restricted access
  1. Dora, Film Treatment
  2. Peter Whitehead
  3. pp. 578-583
  4. DOI: https://doi.org/10.1353/frm.2011.0111
  5. restricted access
  1. Cassation, Film Treatment
  2. Peter Whitehead
  3. pp. 584-589
  4. DOI: https://doi.org/10.1353/frm.2011.0076
  5. restricted access
  1. Dear Diana—Daddy Film Treatment, 1972
  2. Peter Whitehead
  3. pp. 592-602
  4. DOI: https://doi.org/10.1353/frm.2011.0082
  5. restricted access
  1. "Daddy": A Bedtime Story—Daddy Synopsis, 1972
  2. Peter Whitehead
  3. pp. 603-605
  4. DOI: https://doi.org/10.1353/frm.2011.0089
  5. restricted access
  1. Daddy: The Subversive Potential of an Aesthetic of Masochism (with Original 1974 Notes for Screening)
  2. Laura Mulvey
  3. pp. 606-609
  4. DOI: https://doi.org/10.1353/frm.2011.0096
  5. restricted access
  1. Daddy
  2. Molly Haskell
  3. pp. 610-613
  4. DOI: https://doi.org/10.1353/frm.2011.0103
  5. restricted access
  1. Cinema and Sovereign Powers: About Daddy—Review, Positif, 1974
  2. Isabelle Jordan, Presley Parks
  3. pp. 614-621
  4. DOI: https://doi.org/10.1353/frm.2011.0109
  5. restricted access
  1. Peter Whitehead and Niki de Saint Phalle's Daddy (1973)
  2. Joanna Bourke
  3. pp. 622-637
  4. DOI: https://doi.org/10.1353/frm.2011.0115
  5. restricted access
  1. Notes on Daddy, 1973
  2. Peter Whitehead
  3. pp. 638-644
  4. DOI: https://doi.org/10.1353/frm.2011.0080
  5. restricted access
  1. Letter to Niki de Saint Phalle, 1974
  2. Peter Whitehead
  3. pp. 645-651
  4. DOI: https://doi.org/10.1353/frm.2011.0087
  5. restricted access
  1. Burning Passions, Flammable Decade: Cinema, Avant-Garde, Self, and Society in Fire in the Water (1977)
  2. Laura Rascaroli
  3. pp. 654-666
  4. DOI: https://doi.org/10.1353/frm.2011.0094
  5. restricted access
  1. Requiem for the Sixties, Film Proposal, 1974
  2. Peter Whitehead
  3. pp. 667-673
  4. DOI: https://doi.org/10.1353/frm.2011.0101
  5. restricted access
  1. Memory Material and Material Memory: The Film Archive of Peter Whitehead
  2. William Fowler
  3. pp. 676-680
  4. DOI: https://doi.org/10.1353/frm.2011.0107
  5. restricted access
  1. "The Wanderer," Part 3
  2. Peter Whitehead
  3. pp. 681-685
  4. DOI: https://doi.org/10.1353/frm.2011.0113
  5. restricted access
  1. The Saudi Arabian Falcon Breeding Centre, Contract, 1978
  3. pp. 689-691
  4. DOI: https://doi.org/10.1353/frm.2011.0078
  5. restricted access
  1. Peter Whitehead's Role as a Falconer, Articles, 1988
  2. Patricia Abercrombie-Little
  3. pp. 692-696
  4. DOI: https://doi.org/10.1353/frm.2011.0084
  5. restricted access
  1. Letter from Prince Philip to Peter Whitehead, 1989
  2. Prince Philip
  3. p. 697
  4. DOI: https://doi.org/10.1353/frm.2011.0091
  5. restricted access
  1. Oedipus, King of the Falcons: Dissonant Fragments of a Work in Progress
  2. Peter Whitehead
  3. pp. 698-738
  4. DOI: https://doi.org/10.1353/frm.2011.0098
  5. restricted access
  1. Aurora, Film Treatment, 1980
  2. Peter Whitehead
  3. pp. 739-758
  4. DOI: https://doi.org/10.1353/frm.2011.0104
  5. restricted access
  1. Tiresias, Film Treatment, 1985
  2. Peter Whitehead
  3. pp. 759-769
  4. DOI: https://doi.org/10.1353/frm.2011.0110
  5. restricted access
  1. "White Clouds," Poem, 1988
  2. Peter Whitehead
  3. pp. 770-772
  4. DOI: https://doi.org/10.1353/frm.2011.0075
  5. restricted access
  1. Falcon: Image Montage
  2. Peter Whitehead
  3. pp. 773-790
  4. DOI: https://doi.org/10.1353/frm.2011.0081
  5. restricted access
  1. "The Wanderer," Part 4
  2. Peter Whitehead
  3. pp. 791-796
  4. DOI: https://doi.org/10.1353/frm.2011.0088
  5. restricted access
  1. The Technology of Myth: Peter Whitehead as Novelist
  2. James Riley
  3. pp. 798-818
  4. DOI: https://doi.org/10.1353/frm.2011.0095
  5. restricted access
  1. Sex Spy: Sexuality and the Revolution in Peter Whitehead's Post-Sixties Works
  2. Mark Jones
  3. pp. 819-835
  4. DOI: https://doi.org/10.1353/frm.2011.0102
  5. restricted access
  1. The "Janus Interface": A Meditation on the Cosmology of Peter Whitehead
  2. Jan B. Gordon
  3. pp. 836-864
  4. DOI: https://doi.org/10.1353/frm.2011.0108
  5. restricted access
  1. Callanish
  2. Peter Whitehead
  3. pp. 865-870
  4. DOI: https://doi.org/10.1353/frm.2011.0114
  5. restricted access
  1. Novel Extracts
  2. Peter Whitehead
  3. pp. 871-900
  4. DOI: https://doi.org/10.1353/frm.2011.0079
  5. restricted access
  1. In the Beginning Was the Image, before the Beginning Was the Avant-Garde ...
  2. Peter Whitehead
  3. pp. 902-912
  4. DOI: https://doi.org/10.1353/frm.2011.0086
  5. restricted access
  1. On Terrorism Considered as One of the Fine Arts
  2. Peter Whitehead
  3. pp. 913-915
  4. DOI: https://doi.org/10.1353/frm.2011.0093
  5. restricted access
  1. Peter Whitehead and Terrorism
  2. James Riley
  3. pp. 916-920
  4. DOI: https://doi.org/10.1353/frm.2011.0100
  5. restricted access
  1. Extracts from Terrorism Considered as One of the Fine Arts
  2. Peter Whitehead
  3. pp. 921-931
  4. DOI: https://doi.org/10.1353/frm.2011.0106
  5. restricted access
  1. Going to Pot: On the Endurance of the Earth
  2. Peter Whitehead
  3. pp. 934-943
  4. DOI: https://doi.org/10.1353/frm.2011.0112
  5. restricted access
  1. Peter Whitehead's Pottery
  2. Michael O'Brien
  3. pp. 944-958
  4. DOI: https://doi.org/10.1353/frm.2011.0077
  5. restricted access
  1. Seeing through Stone: Image Montage
  2. Peter Whitehead
  3. pp. 959-974
  4. DOI: https://doi.org/10.1353/frm.2011.0083
  5. restricted access
  1. Bibliography
  3. pp. 975-980
  4. DOI: https://doi.org/10.1353/frm.2011.0097
  5. restricted access
  1. Filmography
  3. pp. 981-983
  4. DOI: https://doi.org/10.1353/frm.2011.0090
  5. restricted access
  1. Acknowledgments
  2. Drake Stutesman
  3. p. 562
  4. DOI: https://doi.org/10.1353/frm.2011.0092
  5. restricted access
  1. Whitehead, Djuna Barnes, and Freud's Dora: Introduction to Two Treatments
  2. Drake Stutesman
  3. pp. 572-577
  4. DOI: https://doi.org/10.1353/frm.2011.0105
  5. restricted access