Index

Back issue index of Film History – volume 18 (2006)

Volume 18, Number 1, 2006

COLD-WAR GERMAN CINEMA, Edited by Marc Silberman

Becoming democratic: Satire, satiety, and the founding of West Germany, by Jennifer Fay Learning from the enemy: DEFA-French co-productions of the 1950s, by Marc Silberman

Home sweet home: Desperately seeking Heimat in early DEFA films, by Thomas Lindenberger Finding navigable waters: Inter-German film relations and modernisation in two DEFA barge films of the 1950s, by Stefan Soldovieri Eastside stories: Singingand dancing for socialism, by Andrea Rinke Realism and romance in the East German Cinema, 1952–1962, by John Griffith Urang

Volume 18, Number 2, 2006

WOMEN AND THE SILENT SCREEN, Edited by Amelie Hastie and Shelley Stamp

Elinor Glyn as Hollywood labourer, by Anne Morey PresentingThe Smalleys,'collaborators in authorship anddirection', by Shelley Stamp

Making the 'Studio Girl': The Hollywood Studio Club and industry regulation of female labour, by Heidi Kenaga

Fan discourse in the heartland: the early 1910s, by Richard Abel The woman film critic: Newspapers, cinema and Iris Barry, by Haidee Wasson

'Melodrama of the dear old kind': Sentimentalising British action heroines in the 1910s, by Jon Burrows

Women in the driver's seat: The auto-erotics of early women's films, by Jennifer Parchesky

Imagining sound in the Solax films of Alice Guy Blaché: Canned Harmony (1912) and Burstop Holmes' Murder Case (1913), by Barbara McBane

'As you desire me': Reading 'The Divine Garbo' through movement, silence and the sublime, by Melinda Szaloky

Reading Mabel Normand's library, by Mark Lynn Anderson

The miscellany of film history, by Amelie Hastie

Volume 18, Number 3, 2006

FILM MUSEUMS, Edited by Stephen Herbert

Film museums I have known and (sometimes) loved, by David Robinson

Cinema museums – a worldwide list, by Stephen Bottomore

Henri Langlois and the Musée du Cinéma, by Laurent Mannoni

The lost museum of Henri Langlois, by Introduction by Richard Koszarski

'Exhibiting cinema': the cultural activities of the Museo Nazionale del Cinema, 1958–1971, by Rinella Cere

The preservation, care and exploitation of documentation related to the cinema: an unresolved issue, by Donata Pesenti Campagnoni

Collections on display: Exhibiting artifacts in a film museum, with pride, by Sabine Lenk

Concept, by William K. Everson

Film museums: a bibliography, by Stephen Bottomore

Volume 18, Number 4, 2006

DOCUMENTARY BEFORE VERITÉ, Edited by Charles Musser

The Film & Photo League of San Francisco, by Carla Leshne

Nancy Naumburg: Vassar Revolutionary, by Richard Koszarski

Allegory andaccommodation: Vertov's Three Songs of Lenin (1934) as a Stalinist Film, by John MacKay

Safari adventure: forgotten cinematic journeys in Africa, by Amy J. Staples

Presenting "a true idea of the African of to-day": two documentary forays by Paul and Eslanda Robeson, by Charles Musser

Land of Liberty in the World of Tomorrow, by Sara Beth Levavy

Wildlife documentaries: from classical forms to reality TV, by Jan-Christopher Horak