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In this Issue

Table of Contents

  1. Forgotten faces: why some of our cinema heritage is part of the public domain
  2. David Pierce
  3. pp. 125-143
  4. DOI: https://doi.org/10.2979/fil.2007.19.2.125
  5. restricted access
  1. Documentary filmmakers’ statement of Best Practices in Fair Use
  2. John Belton
  3. pp. 144-145
  4. restricted access
  1. Documentary Filmmakers’ Statement of Best Practices in Fair Use
  2. Association of Independent Video and Filmmakers, Independent Feature Project, International Documentary Association, National Alliance for Media Arts and Culture (U.S.), Foundation for Women in Film and Video
  3. pp. 146-151
  4. restricted access
  1. Imitation of Life in a segregated Atlanta: its promotion, distribution and reception
  2. Matthew Bernstein, Dana F. White
  3. pp. 152-178
  4. DOI: https://doi.org/10.2979/fil.2007.19.2.152
  5. restricted access
  1. Notes on the split-field diopter
  2. Paul Ramaeker
  3. pp. 179-198
  4. DOI: https://doi.org/10.2979/fil.2007.19.2.179
  5. restricted access
  1. Docufictions: an interview with Martin Scorsese on documentary film
  2. Raffaele Donato, Martin Scorsese
  3. pp. 199-207
  4. DOI: https://doi.org/10.2979/fil.2007.19.2.199
  5. restricted access
  1. Introduction: Film and Copyright
  2. John Belton
  3. pp. 107-108
  4. DOI: https://doi.org/10.2979/fil.2007.19.2.107
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  1. Copyright dupes: piracy and new media in Edison v. Lubin (1903)
  2. Peter Decherney
  3. pp. 109-124
  4. DOI: https://doi.org/10.2979/fil.2007.19.2.109
  5. restricted access