+ MUSE Alert

In this Issue

Table of Contents

  1. Charge and Countercharge: "Documentary" War Pictures in the USA, 1914–1916
  2. Richard Abel
  3. pp. 366-388
  4. DOI: https://doi.org/10.2979/filmhistory.2010.22.4.366
  5. restricted access
  1. Edwin F. Weigle: Cameraman for the Chicago Tribune
  2. Cooper C. Graham, Ron van Dopperen
  3. pp. 389-407
  4. DOI: https://doi.org/10.2979/filmhistory.2010.22.4.389
  5. restricted access
  1. 1914–1918, the first media war of the twentieth century: The example of French newsreels
  2. Laurent Véray
  3. pp. 408-425
  4. restricted access
  1. Censoring films in Düsseldorf during the First World War
  2. Sabine Lenk
  3. pp. 426-439
  4. DOI: https://doi.org/10.2979/filmhistory.2010.22.4.426
  5. restricted access
  1. Which Battle of the Somme?: War and neutrality in Dutch cinemas, 1914–1918
  2. Karel Dibbets, Wouter Groot
  3. pp. 440-452
  4. DOI: https://doi.org/10.2979/filmhistory.2010.22.4.440
  5. restricted access
  1. Spectacles of Conspicuous Consumption: Picture Palaces, War Profiteers and the Social Dynamics of Moviegoing in the Netherlands, 1914–1922
  2. André van der Velden, Judith Thissen
  3. pp. 453-462
  4. DOI: https://doi.org/10.2979/filmhistory.2010.22.4.453
  5. restricted access
  1. "Nordisk Films Kompagni Will Now Become the Biggest in the World"
  2. Isak Thorsen
  3. pp. 463-478
  4. DOI: https://doi.org/10.2979/filmhistory.2010.22.4.463
  5. restricted access
  1. Out of the Shadows: The Impact of the First World War on the Status of Studio Cameramen in France
  2. Priska Morrissey, Julie Smith
  3. pp. 479-487
  4. DOI: https://doi.org/10.2979/filmhistory.2010.22.4.479
  5. restricted access
  1. Introduction: Cinema During the Great War
  2. Stephen Bottomore
  3. pp. 363-365
  4. DOI: https://doi.org/10.2979/filmhistory.2010.22.4.363
  5. restricted access