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Table of Contents

  1. I am Cuba and the Space of Revolution
  2. Lida Oukaderova
  3. pp. 4-21
  4. DOI: https://doi.org/10.1353/flm.2014.a562886
  5. restricted access
  1. Historical Cinematic Space: The Architecture of Culture in Jean Renoir’s Le Grande Illusion and Yasujiro Ozu’s Tokyo Story
  2. Graham Cairns
  3. pp. 22-44
  4. DOI: https://doi.org/10.1353/flm.2014.a562887
  5. restricted access
  1. “The eyes are alive!”: Envisioning History in Ernst Lubitsch’s The Eyes of the Mummy (1918)
  2. Richard John Ascárate
  3. pp. 45-65
  4. DOI: https://doi.org/10.1353/flm.2014.a562888
  5. restricted access
  1. Seeing without Feeling: Muybridge’s Boxing Pictures and the Rise of the Bourgeois Film Spectator
  2. Jesús Costantino
  3. pp. 66-81
  4. DOI: https://doi.org/10.1353/flm.2014.a562889
  5. restricted access
  1. The Non-Western of the New West, 1973-75
  2. Janet McCracken
  3. pp. 82-97
  4. DOI: https://doi.org/10.1353/flm.2014.a562890
  5. restricted access