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Table of Contents

  1. The Editor's Reflections and Reports
  2. Peter C. Rollins
  3. pp. 1-3
  4. restricted access
  1. Teaching JFK (1991): Potential Dynamite in the Hands of Our Youth?
  2. Ron Briley
  3. pp. 8-15
  4. DOI: https://doi.org/10.1353/flm.1998.a395819
  5. restricted access
  1. Wall Street (1987): The Stockbroker's Son and the Decade of Greed
  2. Raymond Arsenault
  3. pp. 16-27
  4. DOI: https://doi.org/10.1353/flm.1998.a395820
  5. restricted access
  1. Oliver Stone
  2. Millard Dunn
  3. p. 28
  4. DOI: https://doi.org/10.1353/flm.1998.a395821
  5. restricted access
  1. Yiddish Film and the American Immigrant Experience
  2. Joseph Cohen
  3. pp. 30-44
  4. DOI: https://doi.org/10.1353/flm.1998.a395822
  5. restricted access
  1. Food and Sex, That's All We're Good for: Images of Women in Like Water for Chocolate (1993) (review)
  2. Beatriz Badikian
  3. pp. 46-48
  4. restricted access
  1. Motion Picture Press Kits: A Resource for Film Study
  2. Eric Leuschner
  3. pp. 50-54
  4. DOI: https://doi.org/10.1353/flm.1998.a395824
  5. restricted access
  1. The History Channel Presents The Fifties (1997)
  2. Philip J. Landon
  3. pp. 56-60
  4. restricted access
  1. Amistad (1997): An Internet Review of Merit (review)
  2. Sally Hadden
  3. pp. 62-68
  4. restricted access
  1. What Price Glory?
  2. Ron Briley
  3. pp. 69-71
  4. restricted access
  1. Titanic (1997) (review)
  2. Richard Howells
  3. pp. 70-71
  4. restricted access
  1. Critically Misunderstood
  2. Barbara McGowan
  3. p. 72
  4. restricted access
  1. Positive Public Image
  2. Robert Fyne
  3. pp. 73-71
  4. restricted access
  1. An Elegiac Outlook
  2. Victor Or
  3. p. 74
  4. restricted access
  1. Operatic Melodramas
  2. Elizabeth Abele
  3. pp. 75-71
  4. restricted access
  1. Usual Magic
  2. Jeffrey Torres
  3. pp. 76-77
  4. restricted access
  1. Detailed Attention
  2. Michael S. Shull
  3. p. 78
  4. restricted access
  1. Down with Communism!
  2. Robert Fyne
  3. p. 79
  4. restricted access
  1. Special Editor's Introduction: Oliver Stone as Cinematic Historian
  2. Robert Brent Toplin
  3. pp. 5-7
  4. restricted access