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Table of Contents

  1. Anglophilia on Film: Creating an Atmosphere for Alliance, 1935-1941
  2. Michael Todd Bennett
  3. pp. 4-21
  4. DOI: https://doi.org/10.1353/flm.1997.a395895
  5. restricted access
  1. A Change of Heart: Alvin York and the Movie Sergeant York
  2. Michael E. Birdwell
  3. pp. 22-33
  4. DOI: https://doi.org/10.1353/flm.1997.a395896
  5. restricted access
  1. "All Unquiet on the Hollywood Front": Actor Lew Ayres as Conscientious Objector
  2. Heather Frazer, John O'Sullivan
  3. pp. 34-39
  4. DOI: https://doi.org/10.1353/flm.1997.a395897
  5. restricted access
  1. Awakening A Sleeping Giant: The Pearl Harbor Attack on Film
  2. Ralph R. Donald
  3. pp. 40-46
  4. DOI: https://doi.org/10.1353/flm.1997.a395898
  5. restricted access
  1. Democracy Goes to War: Air Force (1943)
  2. Michael Paris
  3. pp. 48-52
  4. DOI: https://doi.org/10.1353/flm.1997.a395899
  5. restricted access
  1. This is the Army (1943): The Show Musical Goes to War
  2. Dan Cabaniss
  3. pp. 54-60
  4. DOI: https://doi.org/10.1353/flm.1997.a395900
  5. restricted access
  1. Tough 'Ombres and Battleground: The Reel War and The Real War
  2. Suzanne Broderick
  3. pp. 62-67
  4. DOI: https://doi.org/10.1353/flm.1997.a395901
  5. restricted access
  1. Differing Understandings of Captivity in Uranus
  2. Elliott Gruner
  3. pp. 68-71
  4. DOI: https://doi.org/10.1353/flm.1997.a395902
  5. restricted access
  1. Individual Commitment in To Have and Have Not (1944)
  2. Daniel G. Shaw
  3. pp. 72-79
  4. DOI: https://doi.org/10.1353/flm.1997.a395903
  5. restricted access
  1. Archetypes as Propaganda in Alfred Hitchcock's "Lost" World War II Films
  2. J. Justin Gustainis, Deborah Jay DeSilva
  3. pp. 80-87
  4. DOI: https://doi.org/10.1353/flm.1997.a395904
  5. restricted access
  1. The Atomic Agincourt: Henry V and the Filmic Making of Postwar Anglo-American Cultural Relations
  2. John G. Nichols
  3. pp. 88-94
  4. DOI: https://doi.org/10.1353/flm.1997.a395905
  5. restricted access
  1. America, World War II, and the Movies: An Annotated Booklist
  2. Peter C. Rollins
  3. pp. 96-107
  4. DOI: https://doi.org/10.1353/flm.1997.a395906
  5. restricted access
  1. Bringing the War Home: William Wyler and World War II
  2. Gary Hoppenstand, Floyd Barrows, Erik Lunde
  3. pp. 108-118
  4. DOI: https://doi.org/10.1353/flm.1997.a395907
  5. restricted access
  1. The Elusive Factoid: World War II Motivation at Warner Bros.?
  2. Thomas Doherty
  3. pp. 120-122
  4. DOI: https://doi.org/10.1353/flm.1997.a395908
  5. restricted access
  1. So Simple and Clear Cut
  2. Laurent Ditmann
  3. pp. 124-133
  4. restricted access
  1. Shedding Light on Franceso Rosi
  2. David Wilt
  3. p. 126
  4. restricted access
  1. Mangled Memories
  2. Michael S. Shull
  3. p. 127
  4. restricted access
  1. Directorial Conflict
  2. George Bagley
  3. pp. 128-129
  4. restricted access
  1. A Decline in Viewership
  2. Ron Briley
  3. pp. 130-133
  4. restricted access
  1. "Schindler's Singularity"
  2. J. David Slocum
  3. pp. 131-135
  4. restricted access
  1. Perception, Memory or Myth
  2. Robert Fyne
  3. pp. 132-133
  4. restricted access
  1. A Double Outsider
  2. Michael Yates
  3. pp. 134-135
  4. restricted access
  1. Hymn to Mainstream Values
  2. Elliott West
  3. p. 136
  4. restricted access
  1. Stamp of Approval
  2. Charles R. Gallagher
  3. pp. 137-129
  4. restricted access
  1. Largest Audience
  2. Dale Schmitt
  3. pp. 138-141
  4. restricted access
  1. Sound Analysis
  2. Barbara Williamson
  3. p. 139
  4. restricted access
  1. An Invaluable Resource
  2. Michael Yates
  3. pp. 140-129
  4. restricted access
  1. Metaphorical Journeys
  2. Dan Cabaniss
  3. p. 141
  4. restricted access
  1. President Roosevelt's Call
  2. Robert Fyne
  3. p. 142
  4. restricted access
  1. Common Experiences
  2. Randolph Lewis
  3. p. 143
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  1. The Thorniest of Issues
  2. Laurent Ditmann
  3. pp. 144-145
  4. restricted access
  1. Special Editor's Introduction: World War II in Film and History
  2. Robert W. Matson
  3. pp. 1-3
  4. restricted access