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In this Issue

Table of Contents

  1. Why Do I Have to Write Like That?
  2. Stephen Slemon
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/esc.2007.0087
  5. restricted access
  1. Equal, That Is, to the Field Itself: Stylistic Mimesis in Critical Writing
  2. Heather Murray
  3. pp. 4-8
  4. DOI: https://doi.org/10.1353/esc.2007.0073
  5. restricted access
  1. Literary Disestablishmentarianism
  2. T.L. Cowan
  3. pp. 9-13
  4. DOI: https://doi.org/10.1353/esc.2007.0085
  5. restricted access
  1. Culture as Resource? The Function of Literary Research and Criticism in Canada
  2. Kit Dobson
  3. pp. 14-18
  4. DOI: https://doi.org/10.1353/esc.2007.0107
  5. restricted access
  1. Confronting Change
  2. Leslie Monkman
  3. pp. 19-23
  4. DOI: https://doi.org/10.1353/esc.2007.0096
  5. restricted access
  1. Narrative Paralysis
  2. Julia Creet
  3. pp. 24-27
  4. DOI: https://doi.org/10.1353/esc.2007.0090
  5. restricted access
  1. The Mission Itself is in Question
  2. Diana Brydon
  3. pp. 28-31
  4. DOI: https://doi.org/10.1353/esc.2007.0103
  5. restricted access
  1. The Undergarments of Style and My Secret Life of (Self)Censorship
  2. Len Findlay
  3. pp. 32-38
  4. DOI: https://doi.org/10.1353/esc.2007.0088
  5. restricted access
  1. Telling Tales Out of School, A Research in Society Lecture Delivered at the 2007 Congress of the Humanities and Social Sciences
  2. Camilla Gibb
  3. pp. 39-54
  4. DOI: https://doi.org/10.1353/esc.2007.0099
  5. restricted access
  1. Sources
  2. Michael Millgate
  3. pp. 55-62
  4. DOI: https://doi.org/10.1353/esc.2007.0086
  5. restricted access
  1. Ethics and the Biographical Artifact: Doing Biography in the Academy Today
  2. Christine Wiesenthal
  3. pp. 63-81
  4. DOI: https://doi.org/10.1353/esc.2007.0098
  5. restricted access
  1. Sources and Artifacts: Some Comments on the Articles by Michael Millgate and Christine Wiesenthal
  2. Ramsay Cook
  3. pp. 83-88
  4. DOI: https://doi.org/10.1353/esc.2007.0080
  5. restricted access
  1. Imagined Innocence, Endlessly Mourned: Postcolonial Nationalism and Cultural Expression in Timothy Findley’s The Wars
  2. Donna Palmateer Pennee
  3. pp. 89-113
  4. DOI: https://doi.org/10.1353/esc.2007.0094
  5. restricted access
  1. Irish Literature is Not Comparative Literature
  2. Jerry White
  3. pp. 115-140
  4. DOI: https://doi.org/10.1353/esc.2007.0092
  5. restricted access
  1. Tensions of Modernity in Flora Gomes’s The Blue Eyes of Yonta
  2. Kayode Ogunfolabi
  3. pp. 141-156
  4. DOI: https://doi.org/10.1353/esc.2007.0084
  5. restricted access
  1. Faith in the Faithless: An Inter(re)view with Linda Hutcheon
  2. Brad Bucknell
  3. pp. 157-171
  4. DOI: https://doi.org/10.1353/esc.2007.0074
  5. restricted access
  1. A Consilient Canon? Bridges to and from Evolutionary Literary Analysis
  2. David Amigoni
  3. pp. 173-185
  4. DOI: https://doi.org/10.1353/esc.2007.0097
  5. restricted access
  1. Updating Critical Spaces: Margaret Laurence and her Work
  2. Lorna Irvine
  3. pp. 187-201
  4. DOI: https://doi.org/10.1353/esc.2007.0076
  5. restricted access
  1. Imperial Bibles, Domestic Bodies: Women, Sexuality, and Religion in the Victorian Market (review)
  2. Joy Dixon
  3. pp. 203-206
  4. DOI: https://doi.org/10.1353/esc.2007.0101
  5. restricted access
  1. The Romantic National Tale and the Question of Ireland (review)
  2. Julie M. Dugger
  3. pp. 206-208
  4. DOI: https://doi.org/10.1353/esc.2007.0083
  5. restricted access
  1. Paper Talk: A History of Libraries, Print Culture, and Aborginal Peoples in Canada before 1960 (review)
  2. Carole Gerson
  3. pp. 208-211
  4. DOI: https://doi.org/10.1353/esc.2007.0093
  5. restricted access
  1. Muslim Narratives and the Discourse of English (review)
  2. Michelle Hartman
  3. pp. 211-214
  4. DOI: https://doi.org/10.1353/esc.2007.0105
  5. restricted access
  1. Utopia, Carnival, and Commonwealth in Renaissance England (review)
  2. Aaron Kitch
  3. pp. 215-219
  4. DOI: https://doi.org/10.1353/esc.2007.0081
  5. restricted access
  1. Approaches to Teaching English Renaissance Drama (review)
  2. Gretchen E. Minton
  3. pp. 219-223
  4. DOI: https://doi.org/10.1353/esc.2007.0091
  5. restricted access
  1. Sterne, the Moderns, and the Novel (review)
  2. David Oakleaf
  3. pp. 223-225
  4. DOI: https://doi.org/10.1353/esc.2007.0079
  5. restricted access
  1. The Father and Daughter and Dangers of Coquetry (review)
  2. Carrie Runstedler
  3. pp. 226-228
  4. DOI: https://doi.org/10.1353/esc.2007.0106
  5. restricted access
  1. Northrop Frye’s Notebooks on Romance (review)
  2. Thomas Willard
  3. pp. 229-232
  4. DOI: https://doi.org/10.1353/esc.2007.0104
  5. restricted access
  1. Poets Thinking: Pope, Whitman, Dickenson, Yeats (review)
  2. Jan Zwicky
  3. pp. 232-240
  4. DOI: https://doi.org/10.1353/esc.2007.0075
  5. restricted access
  1. Modernism, Labour and Selfhood in British Literature and Culture, 1890–1930 (review)
  2. Paul Delany
  3. pp. 240-242
  4. DOI: https://doi.org/10.1353/esc.2007.0095
  5. restricted access
  1. Northrop Frye: Religious Visionary and Architect of the Spiritual World (review)
  2. Diane Dubois
  3. pp. 243-246
  4. DOI: https://doi.org/10.1353/esc.2007.0078
  5. restricted access
  1. Women’s Writing in English: Early Modern England (review)
  2. Susannah Brietz Monta
  3. pp. 246-247
  4. DOI: https://doi.org/10.1353/esc.2007.0102
  5. restricted access
  1. Curiouser: On the Queerness of Children (review)
  2. Andrew O’Malley
  3. pp. 248-252
  4. DOI: https://doi.org/10.1353/esc.2007.0089
  5. restricted access
  1. Imagining Robin Hood: The Late-Medieval Stories in Historical Context (review)
  2. Janine Rogers
  3. pp. 252-255
  4. DOI: https://doi.org/10.1353/esc.2007.0100
  5. restricted access
  1. McLuhan in Space: A Cultural Geography (review)
  2. Nancy Shaw
  3. pp. 255-257
  4. DOI: https://doi.org/10.1353/esc.2007.0077
  5. restricted access
  1. Genetic Criticism: Texts and Avant-textes (review)
  2. Garry Sherbert
  3. pp. 258-262
  4. DOI: https://doi.org/10.1353/esc.2007.0082
  5. restricted access