+ MUSE Alert

In this Issue

Table of Contents

  1. On Discreteness: Event and Sound in Poetry
  2. Louis Cabri
  3. pp. 1-19
  4. DOI: https://doi.org/10.1353/esc.0.0088
  5. restricted access
  1. You asked about sound and it’s 28 January 2008
  2. Rachel Blau DuPlessis
  3. pp. 21-23
  4. DOI: https://doi.org/10.1353/esc.0.0091
  5. restricted access
  1. The Difference Sound Makes: Gertrude Stein and the Poetics of Intonation
  2. Scott Pound
  3. pp. 25-35
  4. DOI: https://doi.org/10.1353/esc.0.0094
  5. restricted access
  1. A Williams Sound-Script: Listening to “The Sea-Elephant”
  2. Bob Perelman
  3. pp. 37-53
  4. DOI: https://doi.org/10.1353/esc.0.0097
  5. restricted access
  1. Kenneth Rexroth and Radio Reading
  2. Brook Houglum
  3. pp. 55-66
  4. DOI: https://doi.org/10.1353/esc.0.0081
  5. restricted access
  1. From Text to Tongue to Tape: Notes on Charles Bernstein’s “1–100”
  2. Michael S. Hennessey
  3. pp. 67-72
  4. DOI: https://doi.org/10.1353/esc.0.0084
  5. restricted access
  1. The Socio-poetic Soundscape of Geraldine Monk
  2. Meredith Quartermain
  3. pp. 73-76
  4. DOI: https://doi.org/10.1353/esc.0.0087
  5. restricted access
  1. Sounding Eyes: Mina Loy’s Acoustic Subjectivity in “The Song of the Nightingale is Like the Scent of Syringa”
  2. Suzanne Zelazo
  3. pp. 77-82
  4. DOI: https://doi.org/10.1353/esc.0.0090
  5. restricted access
  1. Sound or Text: How Do You Heal a “Foreign Anguish”?
  2. Katherine Verhagen
  3. pp. 83-90
  4. DOI: https://doi.org/10.1353/esc.0.0093
  5. restricted access
  1. Six Short Talks: Reading in, around, & on (& on) Anne Carson’s “Possessive Used As Drink (Me): a lecture in the form of fifteen minutes”
  2. Emily Carr
  3. pp. 91-101
  4. DOI: https://doi.org/10.1353/esc.0.0096
  5. restricted access
  1. Now Not Now: Gertrude Stein Speaks
  2. Brian Reed
  3. pp. 103-113
  4. DOI: https://doi.org/10.1353/esc.0.0080
  5. restricted access
  1. Performing Authority: Gysin, Bergvall, and the Critique of Expressivist Pedagogy
  2. Tom Orange
  3. pp. 115-126
  4. DOI: https://doi.org/10.1353/esc.0.0083
  5. restricted access
  1. The Verse Line in Williams
  2. Bruce Holsapple
  3. pp. 127-148
  4. DOI: https://doi.org/10.1353/esc.0.0086
  5. restricted access
  1. The Structure and Delivery Style of Milton’s Verse: An Electronic Exercise in Vocal Performance
  2. Reuven Tsur
  3. pp. 149-168
  4. DOI: https://doi.org/10.1353/esc.0.0089
  5. restricted access
  1. The lp Era: Voice-Practice/Voice Document
  2. Sarah Parry
  3. pp. 169-180
  4. DOI: https://doi.org/10.1353/esc.0.0092
  5. restricted access
  1. This Secret Charm of Numbers: The Clandestine Relationship between Shortwave Number Stations and Twentieth-Century Poetry
  2. Geoffrey Hlibchuk
  3. pp. 181-194
  4. DOI: https://doi.org/10.1353/esc.0.0095
  5. restricted access
  1. Re-Tuning: David Antin and the Audio Text
  2. Jon Cotner, Andy Fitch
  3. pp. 195-206
  4. DOI: https://doi.org/10.1353/esc.0.0098
  5. restricted access
  1. CD Permissions and Acknowledgements
  3. pp. 214-215
  4. DOI: https://doi.org/10.1353/esc.0.0082
  5. restricted access
  1. ESC 33.4 On Discreteness: Event and Sound in Poetry CD
  3. pp. 218-220
  4. DOI: https://doi.org/10.1353/esc.0.0085
  5. restricted access