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Table of Contents

  1. Trollope's Modernity
  2. Amanda Anderson
  3. pp. 509-534
  4. DOI: https://doi.org/10.1353/elh.2007.0020
  5. restricted access
  1. Earnshaw's Neighbor/Catherine's Friend: Ethical Contingencies in Wuthering Heights
  2. Richard Dellamora
  3. pp. 535-555
  4. DOI: https://doi.org/10.1353/elh.2007.0023
  5. restricted access
  1. "Making Out" Jane Eyre
  2. Debra Gettelman
  3. pp. 557-581
  4. DOI: https://doi.org/10.1353/elh.2007.0024
  5. restricted access
  1. An Erotics of Detachment: Middlemarch and Novel-Reading as Critical Practice
  2. David Kurnick
  3. pp. 583-608
  4. DOI: https://doi.org/10.1353/elh.2007.0025
  5. restricted access
  1. The Bard, the Bible, and the Victorian Shakespeare Question
  2. Charles Laporte
  3. pp. 609-628
  4. DOI: https://doi.org/10.1353/elh.2007.0026
  5. restricted access
  1. Aesthetic Embarrassment: The Reversion to the Picturesque in Nineteenth-Century English Tourism
  2. Linda Marilyn Austin
  3. pp. 629-653
  4. DOI: https://doi.org/10.1353/elh.2007.0021
  5. restricted access
  1. The "Unbearable Realism of a Dream": On the Subject of Portraits in Austen and Dickens
  2. Alexander Bove
  3. pp. 655-679
  4. DOI: https://doi.org/10.1353/elh.2007.0022
  5. restricted access
  1. An Englishwoman's Workhouse is her Castle: Poor Management and Gothic Fiction in the 1790s
  2. Scott R. MacKenzie
  3. pp. 681-705
  4. DOI: https://doi.org/10.1353/elh.2007.0027
  5. restricted access
  1. Neutering Addison and Steele: Aesthetic Failure and the Spectatorial Public Sphere
  2. Anthony Pollock
  3. pp. 707-734
  4. DOI: https://doi.org/10.1353/elh.2007.0028
  5. restricted access
  1. Romance, Sleep, and the Passions in Sir Philip Sidney's The Old Arcadia
  2. Garrett A. Sullivan
  3. pp. 735-757
  4. DOI: https://doi.org/10.1353/elh.2007.0029
  5. restricted access