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Table of Contents

  1. "Curtesy Doth It Yow Lere": The Sociology of Transgression in the Digby Mary Magdalene
  2. Theresa Coletti
  3. pp. 1-28
  4. DOI: https://doi.org/10.1353/elh.2004.0012
  5. restricted access
  1. Constructing the Sexual Subject of John Skelton
  2. A. W. Barnes
  3. pp. 29-51
  4. DOI: https://doi.org/10.1353/elh.2004.0013
  5. restricted access
  1. The Spider, the Fly, and the Commonwealth: Merrie John Heywood and Agrarian Class Struggle
  2. James Holstun
  3. pp. 53-88
  4. DOI: https://doi.org/10.1353/elh.2004.0017
  5. restricted access
  1. Shakespeare's Jestbook: Wit, Print, Performance
  2. Ian Munro
  3. pp. 89-113
  4. DOI: https://doi.org/10.1353/elh.2004.0018
  5. restricted access
  1. Caesar's Gift: Playing the Park in the Late Seventeenth Century
  2. David Roberts
  3. pp. 115-139
  4. DOI: https://doi.org/10.1353/elh.2004.0021
  5. restricted access
  1. William Blake's Androgynous Ego-Ideal
  2. Tom Hayes
  3. pp. 141-165
  4. DOI: https://doi.org/10.1353/elh.2004.0016
  5. restricted access
  1. "What a World we Make the Oppressor and the Oppressed": George Cruikshank, Percy Shelley, and the Gendering of Revolution in 1819
  2. Ashley J. Cross
  3. pp. 167-207
  4. DOI: https://doi.org/10.1353/elh.2004.0014
  5. restricted access
  1. Hannah More and the Invention of Narrative Authority
  2. Emily Rena-Dozier
  3. pp. 209-227
  4. DOI: https://doi.org/10.1353/elh.2004.0019
  5. restricted access
  1. Nonstandard Language and the Cultural Stakes of Stoker's Dracula
  2. Christine Ferguson
  3. pp. 229-249
  4. DOI: https://doi.org/10.1353/elh.2004.0015
  5. restricted access
  1. The Art of Discrimination
  2. Arthur Riss
  3. pp. 251-287
  4. DOI: https://doi.org/10.1353/elh.2004.0020
  5. restricted access