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Table of Contents

  1. Contributors
  2. pp. v-vi
  3. DOI: https://doi.org/10.1353/ecf.1993.0037
  4. restricted access

Articles

  1. Defoe's "Almost Invisible Hand": Narrative Logic as a Structuring Principle in Moll Flanders
  2. Carl R. Lovitt
  3. pp. 1-28
  4. DOI: https://doi.org/10.1353/ecf.1993.0042
  5. restricted access
  1. The Place of Sally Godfrey in Richardson's Pamela
  2. Albert J. Rivero
  3. pp. 29-46
  4. DOI: https://doi.org/10.1353/ecf.1993.0047
  5. restricted access
  1. Diderot, Socrate, et l'Esthétique de la farce dans Le Neveu de Rameau
  2. Jane Rush
  3. pp. 47-64
  4. DOI: https://doi.org/10.1353/ecf.1993.0052
  5. restricted access
  1. Britannia's Rule and the It-Narrator
  2. Aileen Douglas
  3. pp. 65-82
  4. DOI: https://doi.org/10.1353/ecf.1993.0057
  5. restricted access

Reviews

  1. Dangerous Truths and Criminal Passions: The Evolution of the French Novel 1569-1791 (review)
  2. Nadine Bérenguier
  3. pp. 83-85
  4. DOI: https://doi.org/10.1353/ecf.1993.0031
  5. restricted access
  1. Character and Consciousness in Eighteenth-Century Comic Fiction (review)
  2. Brian McCrea
  3. pp. 85-87
  4. DOI: https://doi.org/10.1353/ecf.1993.0036
  5. restricted access
  1. Private Lives in the Public Sphere: The German "Bildungsroman" as Metafiction (review)
  2. Jean Wilson
  3. pp. 88-89
  4. DOI: https://doi.org/10.1353/ecf.1993.0040
  5. restricted access
  1. Robert Challe: Un Destin, une œuvre (review)
  2. Franco Piva
  3. pp. 89-90
  4. DOI: https://doi.org/10.1353/ecf.1993.0045
  5. restricted access
  1. "The Fictions of Romantick Chivalry": Samuel Johnson and Romance (review)
  2. Gwin Kolb
  3. pp. 90-92
  4. DOI: https://doi.org/10.1353/ecf.1993.0050
  5. restricted access
  1. Récit et réflexion: poétique de l'hétérogène dans "Le Pour et contre" de Prévost (review)
  2. John A. Fleming
  3. pp. 92-94
  4. DOI: https://doi.org/10.1353/ecf.1993.0055
  5. restricted access
  1. Revolutionary Feminism: The Mind and Career of Mary Wollstonecraft (review)
  2. Syndy McMillen Conger
  3. pp. 94-95
  4. DOI: https://doi.org/10.1353/ecf.1993.0029
  5. restricted access
  1. Jane Austen's Novels: The Art of Clarity (review)
  2. Susan C. Greenfield
  3. pp. 95-97
  4. DOI: https://doi.org/10.1353/ecf.1993.0034
  5. restricted access
  1. Jane Austen's "Sense and Sensibility." (review)
  2. Claudia L. Johnson
  3. pp. 97-98
  4. DOI: https://doi.org/10.1353/ecf.1993.0038
  5. restricted access
  1. Jane Austen among Women (review)
  2. Vivien Jones
  3. pp. 99-100
  4. DOI: https://doi.org/10.1353/ecf.1993.0043
  5. restricted access
  1. Vies et images maternelles dans la littérature française du dix-huitième siècle (review)
  2. Nancy Senior
  3. pp. 100-102
  4. DOI: https://doi.org/10.1353/ecf.1993.0048
  5. restricted access
  1. Compendious Conversations (review)
  2. Alexander Pettit
  3. pp. 102-103
  4. DOI: https://doi.org/10.1353/ecf.1993.0053
  5. restricted access
  1. Hindsight and Insight: Focalization in Four Eighteenth-Century French Novels (review)
  2. Catherine Gallouët-Schutter
  3. pp. 104-105
  4. DOI: https://doi.org/10.1353/ecf.1993.0058
  5. restricted access
  1. The Hero of the Waverley Novels: With New Essays on Scott (review)
  2. Bruce Beiderwell
  3. pp. 106-108
  4. DOI: https://doi.org/10.1353/ecf.1993.0032
  5. restricted access