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In this Issue

Table of Contents

  1. Editorial
  2. Tess Knighton
  3. p. 503
  4. restricted access
  1. Musical instruments in Hans Memling's paintings
  2. Jeremy Montagu
  3. pp. 505-523
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  1. Reconstructing the archangel: Corelli 'ad vivum pinxit'
  2. Peter Walls
  3. pp. 525-538
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  1. Chambonnières, Jollain and the first engraving of harpsichord music in France
  2. Rebecca Cypess
  3. pp. 539-553
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  1. Exotic nectar transformed: the grands motets of Lalande's maturity
  2. Lionel Sawkins
  3. pp. 555-573
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  1. Towards an optimal instrument: Domenico Scarlatti and the new wave of Iberian harpsichord making
  2. John Koster
  3. pp. 575-603
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  1. A fresh look at Domenico Scarlatti's Essercizi per gravicembalo, and the 'tremulo di sopra'
  2. Carl Sloane
  3. pp. 605-608
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  1. Elements of rhythmic inequality in the arias of Alessandro Scarlatti and Handel
  2. John Byrt
  3. pp. 609-626
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  1. The world of Gautier de Coinci
  2. John Dickinson Haines
  3. pp. 629-630
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  1. The art of Italian continuo playing
  2. Christopher Stembridge
  3. pp. 630-633
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  1. Resurrecting Scheidemann
  2. David J. Smith
  3. pp. 633-634
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  1. Early Bach
  2. David Ledbetter
  3. pp. 634-635
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  1. Bach's ouvertures
  2. Bettina Varwig
  3. pp. 635-637
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  1. Oboe methods over the centuries
  2. Janet Kathleen Page
  3. pp. 637-638
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  1. Ludford illuminated
  2. Roger Bowers
  3. pp. 639-641
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  1. To sing, to play, or to recompose
  2. Peter J. D. Scott
  3. pp. 641-644
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  1. Devotional music from Stuart England
  2. Peter Leech
  3. pp. 644-647
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  1. Gagliano and Ghizzolo
  2. Carrie Churnside
  3. pp. 648-649
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  1. Scarlatti complete
  2. Francis Knights
  3. pp. 651-652
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  1. Shakespeare and friends
  2. Christopher Goodwin
  3. pp. 652-655
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  1. The Austro-German Baroque
  2. Eric Cross
  3. pp. 655-659
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  1. Italians at home and abroad
  2. Michael Talbot
  3. pp. 659-661
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  1. Bach unaccompanied
  2. David Irving
  3. pp. 661-663
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  1. Bach for solo harpsichord
  2. Julian Perkins
  3. pp. 663-666
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  1. Three Messiahs
  2. Elizabeth Roche
  3. pp. 666-668
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  1. Haydn's Masses en masse
  2. Peter Branscombe
  3. pp. 668-671
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  1. 'So much wealth in such simple trappings'
  2. James Parsons
  3. pp. 671-674
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  1. World enough and time: early music around the globe
  2. Ivan Moody
  3. pp. 674-676
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  1. Feast of the Gods
  2. Paul Cienniwa
  3. pp. 677-679
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  1. 'Taking stock': a Taverner symposium
  2. Pippa Thynne
  3. pp. 679-680
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  1. Music and musicians in ecclesiastical institutions
  2. José Máximo Leza, Tess Knighton
  3. pp. 680-783
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  1. Plainchant in Tuscany
  2. Kate Bolton
  3. pp. 683-684
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  1. The motet around 1500
  2. Margaret Bent
  3. pp. 684-686
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  1. Santiago de Murcia versus François Le Cocq
  2. Monica Hall
  3. p. 687
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  1. Transposition in Monteverdi
  2. Jeffrey G. Kurtzman
  3. pp. 687-689
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  1. Erratum
  3. p. 689
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  1. Annual Index
  3. pp. 693-702
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  1. Advertisers' Index
  3. p. 703
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