In this Issue
Early Music is a stimulating and richly illustrated journal, and is unrivalled in its field. Founded in 1973, it remains the journal for anyone interested in early music and how it is being interpreted today. Contributions from scholars and performers on international standing explore every aspect of earlier musical repertoires, present vital new evidence for our understanding of the music of the past, and tackle controversial issues of performance practice.
Each issue is beautifully illustrated and contains a wide range of articles on performance practice, iconography, sources, instruments and many other aspects of the historical context for a given work or repertory. Some issues are dedicated to a particular theme to mark the anniversary of a composer or to explore an otherwise uncharted territory, such as the music of the New World or the early musical traditions of non-Western cultures.
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Volume 35, Number 2, May 2007Table of Contents
- Editorial
- p. 171
- Music in Cardinal Borromeo's Milan
- pp. 290-291
- Philip Brett's Byrd
- pp. 291-293
- Surveying the 17th century
- pp. 293-295
- The 'German Orpheus'
- pp. 295-297
- Perfect tempo
- pp. 297-298
- The square piano rediscovered
- pp. 298-299
- The life of plainchants
- pp. 301-302
- A cornucopia of chansons
- pp. 303-305
- Canzonas by Frescobaldi?
- pp. 306-307
- Interactive Mozart
- pp. 307-308
- Renaissances
- pp. 309-311
- The German Baroque
- pp. 311-313
- Organ music from Merulo to Buxtehude
- pp. 314-316
- Little-known Baroque vocal music
- pp. 316-319
- Plucked strings
- pp. 322-324
- A Mozart survey
- pp. 324-327
- Med & Ren 2006
- pp. 329-330
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Copyright © 2007 The Authors and Oxford University Press.