+ MUSE Alert

In this Issue

Table of Contents

  1. Editorial
  2. Tess Knighton
  3. p. 171
  4. restricted access
  1. Early music's dramatic significance in Handel's Saul
  2. Ruth Smith
  3. pp. 173-189
  4. restricted access
  1. Un-discarded images: illustrations of antique musical instruments in 17th- and 18th-century books, their sources and transmission
  2. Naomi J. Barker
  3. pp. 191-211
  4. restricted access
  1. Approaches to the use of iconography in historical reconstruction, and the curious case of Renaissance Welsh harp technique
  2. Christopher Macklin
  3. pp. 213-223
  4. restricted access
  1. Publish or perish? Palestrina and print culture in 16th-century Italy
  2. Jane A. Bernstein
  3. pp. 225-235
  4. restricted access
  1. Philippe II d'Orléans's 'chanteurs italiens', the Italian cantata and the goûts-réunis under Louis XIV
  2. Don Fader
  3. pp. 237-249
  4. restricted access
  1. Santiago de Murcia's Cifras Selectas de Guitarra (1722): a new source for the Baroque guitar
  2. Alejandro Vera
  3. pp. 251-269
  4. restricted access
  1. French overtures at the keyboard: the Handel tradition
  2. Graham Pont
  3. pp. 271-288
  4. restricted access
  1. Musical humanism for beginners
  2. Bonnie J. Blackburn
  3. p. 289
  4. restricted access
  1. Music in Cardinal Borromeo's Milan
  2. Noel O'Regan
  3. pp. 290-291
  4. restricted access
  1. Philip Brett's Byrd
  2. Richard Rastall
  3. pp. 291-293
  4. restricted access
  1. Surveying the 17th century
  2. Gregory S. Johnston
  3. pp. 293-295
  4. restricted access
  1. The 'German Orpheus'
  2. Susan Wollenberg
  3. pp. 295-297
  4. restricted access
  1. Perfect tempo
  2. David Ledbetter
  3. pp. 297-298
  4. restricted access
  1. The square piano rediscovered
  2. C. R. F. Maunder
  3. pp. 298-299
  4. restricted access
  1. The life of plainchants
  2. Richard Sherr
  3. pp. 301-302
  4. restricted access
  1. A cornucopia of chansons
  2. Jeanice Brooks
  3. pp. 303-305
  4. restricted access
  1. Canzonas by Frescobaldi?
  2. Naomi J. Barker
  3. pp. 306-307
  4. restricted access
  1. Interactive Mozart
  2. Nicolas Bell
  3. pp. 307-308
  4. restricted access
  1. Renaissances
  2. Ivan Moody
  3. pp. 309-311
  4. restricted access
  1. The German Baroque
  2. David Irving
  3. pp. 311-313
  4. restricted access
  1. Organ music from Merulo to Buxtehude
  2. Kimberly Marshall
  3. pp. 314-316
  4. restricted access
  1. Little-known Baroque vocal music
  2. Elizabeth Roche
  3. pp. 316-319
  4. restricted access
  1. Rediscovering Monteverdi, sacred and secular
  2. David Allinson
  3. pp. 319-322
  4. restricted access
  1. Plucked strings
  2. Christopher Goodwin
  3. pp. 322-324
  4. restricted access
  1. A Mozart survey
  2. Peter Branscombe
  3. pp. 324-327
  4. restricted access
  1. Med & Ren 2006
  2. David Allinson
  3. pp. 329-330
  4. restricted access