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Table of Contents

  1. The Global Phallus: On the Digital and Allegorical Economy of the Hispanic Subaltern in Hollywood Film
  2. Joseba Gabilondo
  3. pp. 4-24
  4. DOI: https://doi.org/10.1353/dis.2001.0006
  5. restricted access
  1. Internalisations of Empire: Colonial Ambivalence and the Early Francoist Missionary Film
  2. Jo Labanyi
  3. pp. 25-42
  4. DOI: https://doi.org/10.1353/dis.2001.0008
  5. restricted access
  1. World Music Does Not Exist
  2. Timothy Brennan
  3. pp. 44-62
  4. DOI: https://doi.org/10.1353/dis.2001.0002
  5. restricted access
  1. Sudden Rush: Na Mele Paleoleo (Hawaiian Rap) as Liberatory Discourse
  2. Fay Yokomizo Akindes
  3. pp. 82-98
  4. DOI: https://doi.org/10.1353/dis.2001.0001
  5. restricted access
  1. Kren's Taj Mahal: The Guggenheim's Global Love Museum
  2. Joseba Zulaika
  3. pp. 100-118
  4. DOI: https://doi.org/10.1353/dis.2001.0009
  5. restricted access
  1. Portraying the Other: Puerto Rican Images in Two American Photographic Collections
  2. Jorge Duany
  3. pp. 119-153
  4. DOI: https://doi.org/10.1353/dis.2001.0005
  5. restricted access
  1. The Limits of Community: How "We" Read Me llamo Rigoberta Menchu
  2. David E. Johnson
  3. pp. 154-169
  4. DOI: https://doi.org/10.1353/dis.2001.0007
  5. restricted access
  1. "Columbus Effect(s)": Chronology and Crossover in the Latin(o) Music "Boom"
  2. Maria Elena Cepeda
  3. pp. 63-81
  4. DOI: https://doi.org/10.1353/dis.2001.0003
  5. restricted access
  1. Contributors
  3. pp. 170-172
  4. DOI: https://doi.org/10.1353/dis.2001.0004
  5. restricted access

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22.3, Fall 2000

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23.2, Spring 2001