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In this Issue

Table of Contents

  1. About This Issue
  3. pp. 1-3
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  1. News
  3. pp. 6-10
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  1. Editor’s Note
  2. Rebecca Fiebrink
  3. pp. 11-13
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  1. In Memory of Max Mathews
  2. John Chowning, Jean-Claude Risset, Jon Appleton, Perry R. Cook, Ge Wang, Richard Boulanger
  3. pp. 14-17
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  1. Parametric Electric Guitar Synthesis
  2. Niklas Lindroos, Henri Penttinen, Vesa Välimäki
  3. pp. 18-27
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  1. Models of Constructed Sound: Nonstandard Synthesis as an Aesthetic Perspective
  2. Luc Döbereiner
  3. pp. 28-39
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  1. Two Pioneering Projects from the Early History of Computer-Aided Algorithmic Composition
  2. Christopher Ariza
  3. pp. 40-56
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  1. Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises
  2. Alexandre Bouënard, Marcelo M. Wanderley, Sylvie Gibet, Fabrice Marandola
  3. pp. 57-72
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  1. Experiments in Modular Design for the Creative Composition of Live Algorithms
  2. Oliver Bown
  3. pp. 73-85
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  1. An Evaluation of Musical Score Characteristics for Automatic Classification of Composers
  2. Ofer Dor, Yoram Reich
  3. pp. 86-97
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  1. EMusic Indaba 2010: Home Made—Hand Made (review)
  2. Dimitri Voudouris
  3. pp. 98-100
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  1. Chris Salter: Entangled: Technology and the Transformation of Performance (review)
  2. Margaret Schedel
  3. pp. 100-102
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  1. Tara Rodgers: Pink Noises: Women on Electronic Music and Sound (review)
  2. Mary Simoni
  3. pp. 102-103
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  1. Ron Herrema: Changing Weights (review)
  2. Ian Whalley
  3. pp. 103-104
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  1. Products of Interest
  3. pp. 107-116
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  1. CDCM Computer Music Series Volume 38: Music from Bowling Green State University, MidAmerican Center for Contemporary Music (review)
  2. Jim Phelps
  3. pp. 105-106
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