Contributors
- Contributors
Andreea Delia Boboc is an Assistant Professor of English at the University of the Pacific in Stockton, CA. She earned her PhD in English from the University of Michigan, Ann Arbor in 2006 and holds an MA in English and German and a BA in Latin from the University of Munich. She published an article, "Competing Systems of Law and Oral Performance in Caxton's Reynard the Fox," in Compar(a)ison: An International Journal of Comparative Literature in 2003, and is currently finishing a book manuscript titled Justice and the Self in Late Middle English Trial Literature.
Rebecca Cameron is an Associate Professor in the Department of English at DePaul University, where she teaches modern drama and modern British literature. She has published several articles on twentieth-century British women playwrights, her main research area. She is also a member of the Orlando Project, a collaborative research group in women's literary history and humanities computing that recently published a digital resource entitled Orlando: Women's Writing in the British Isles from the Beginnings to the Present (Cambridge University Press, 2006).
David Golz holds a PhD in English from the University of Nevada, Reno, and a PhD in geological sciences from the University of California, Riverside. Currently, he pursues his diverse interests teaching interdisciplinary courses as an assistant professor of humanities in the Department of Liberal Studies at Kettering University in Flint, Michigan. His research involves the functions of wordplay and the uses of the infrastructures of games and the natural sciences in early modern drama.
Robert C. Lagueux is Director of New Millennium Studies: The First-Year Seminar at Columbia College Chicago. He received his PhD in music history from Yale University. He is currently working on an article investigating [End Page 291] the relationship between illusion, reality, and performance in medieval liturgical drama and a book project on exegesis and drama.
J. Chris Westgate is Assistant Professor of English and Comparative Literature at CSU Fullerton, with a specialization in contemporary and modern drama. He has contributed articles and reviews to The Eugene O'Neill Review, Theatre Journal, and Modern Drama, and has edited an anthology of essays for Cambridge Scholars Publishing entitled Brecht, Broadway, and United States Theatre. He is currently finalizing a book manuscript entitled Urban Drama: The Metropolis in Contemporary North American Plays. [End Page 292]
