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Table of Contents

  1. “The Split-Screen Syndrome”: Structuring (Non)Seeing in Two Plays on Abu Ghraib
  2. Katarzyna Beilin
  3. pp. 427-450
  4. DOI: https://doi.org/10.1353/cdr.2012.0035
  5. restricted access
  1. Brian Friel’s Transformation from Short Fiction Writer to Dramatist
  2. Richard Rankin Russell
  3. pp. 451-474
  4. DOI: https://doi.org/10.1353/cdr.2012.0038
  5. restricted access
  1. Plays and Playcoats: A Courtly Interlude Tradition in Scotland?
  2. Sarah Carpenter
  3. pp. 475-496
  4. DOI: https://doi.org/10.1353/cdr.2012.0041
  5. restricted access
  1. Staging the Convent as Resistance in The Jew of Malta and Measure for Measure
  2. Kimberly Reigle
  3. pp. 497-516
  4. DOI: https://doi.org/10.1353/cdr.2012.0044
  5. restricted access
  1. Not to Be Altered”: Performance’s Efficacy and Audience Reaction in The Roman Actor
  2. Eric Dunnum
  3. pp. 517-543
  4. DOI: https://doi.org/10.1353/cdr.2012.0046
  5. restricted access
  1. The Tragic Paradox (review)
  2. Jennifer Wallace
  3. pp. 545-548
  4. DOI: https://doi.org/10.1353/cdr.2012.0032
  5. restricted access
  1. Memories of Chekhov: Accounts of the Writer from His Family, Friends, and Contemporaries (review)
  2. Valleri J. Hohman
  3. pp. 548-551
  4. DOI: https://doi.org/10.1353/cdr.2012.0034
  5. restricted access
  1. Puppet: An Essay on Uncanny Life (review)
  2. Claudia Orenstein
  3. pp. 551-554
  4. DOI: https://doi.org/10.1353/cdr.2012.0037
  5. restricted access
  1. Mei Lanfang and the Twentieth-Century International Stage: Chinese Theatre Placed and Displaced (review)
  2. Cecilia J. Pang
  3. pp. 554-557
  4. DOI: https://doi.org/10.1353/cdr.2012.0040
  5. restricted access
  1. Image Ethics in Shakespeare and Spenser (review)
  2. Jane Kingsley-Smith
  3. pp. 557-559
  4. DOI: https://doi.org/10.1353/cdr.2012.0043
  5. restricted access
  1. Pioneer Performances: Staging the Frontier (review)
  2. Nicolas S. Witschi
  3. pp. 560-562
  4. DOI: https://doi.org/10.1353/cdr.2012.0045
  5. restricted access
  1. Hamlet’s Arab Journey: Shakespeare’s Prince and Nasser’s Ghost (review)
  2. Khalid Amine
  3. pp. 563-565
  4. DOI: https://doi.org/10.1353/cdr.2012.0047
  5. restricted access
  1. Intimacy and Sexuality in the Age of Shakespeare (review)
  2. Gina Bloom
  3. pp. 565-568
  4. DOI: https://doi.org/10.1353/cdr.2012.0033
  5. restricted access
  1. Shaw, Plato, and Euripides: Classical Currents in “Major Barbara.” (review)
  2. David Kornhaber
  3. pp. 569-571
  4. DOI: https://doi.org/10.1353/cdr.2012.0036
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  1. Brief Notices
  3. pp. 573-577
  4. DOI: https://doi.org/10.1353/cdr.2012.0039
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  1. Contributors
  3. pp. 579-581
  4. DOI: https://doi.org/10.1353/cdr.2012.0042
  5. restricted access