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Table of Contents

  1. Talking with Ghosts of Irish Playwrights Past: Marina Carr's By the Bog of Cats ...
  2. Richard Russell
  3. pp. 149-168
  4. DOI: https://doi.org/10.1353/cdr.2006.0008
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  1. Edmund Eyre's The Maid of Normandy; or, Charlotte Corday in Anglo-Irish Docudrama
  2. Wendy C. Nielsen
  3. pp. 169-190
  4. DOI: https://doi.org/10.1353/cdr.2006.0011
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  1. Serving Don Juan: Decorum in Tirso de Molina and Molière
  2. Robert Bayliss
  3. pp. 191-215
  4. DOI: https://doi.org/10.1353/cdr.2006.0015
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  1. Money Changes Everything: Quarto and Folio The Merry Wives of Windsor and the Case for Revision
  2. Peter Grav
  3. pp. 217-240
  4. DOI: https://doi.org/10.1353/cdr.2006.0019
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  1. Performance Approaches to Teaching Shakespeare (review)
  2. Verna A. Foster
  3. pp. 241-244
  4. DOI: https://doi.org/10.1353/cdr.2006.0022
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  1. The Censorship of British Drama, 1900-1968. Vol. 1, 1900-1932, and: The Censorship of British Drama, 1900-1968. Vol. 2, 1933-1952 (review)
  2. William C. Boles
  3. pp. 244-247
  4. DOI: https://doi.org/10.1353/cdr.2006.0025
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  1. Staging Governance: Theatrical Imperialism in London, 1770-1800 (review)
  2. Betsy Bolton
  3. pp. 248-251
  4. DOI: https://doi.org/10.1353/cdr.2006.0007
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  1. Shakespeare's History Plays: Performance, Translation, and Adaptation in Britain and Abroad (review)
  2. Deneen Senasi
  3. pp. 251-255
  4. DOI: https://doi.org/10.1353/cdr.2006.0010
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  1. Understanding Adrienne Kennedy (review)
  2. Felicia Hardison Londre
  3. pp. 256-258
  4. DOI: https://doi.org/10.1353/cdr.2006.0013
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  1. Brief Notices
  3. pp. 259-262
  4. DOI: https://doi.org/10.1353/cdr.2006.0017
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