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Reviewed by:
  • Chivalry in Medieval England
  • Sam Zeno Conedera SJ
Nigel Saul, Chivalry in Medieval England (Cambridge, MA: Harvard University Press 2011) 416 pp., ill.

The stated aim of Chivalry in Medieval England is “to present an account of English aristocratic society in the Middle Ages which puts chivalry centre-stage” (5). Nigel Saul, whose extensive work on the subject prepared the way for this synthetic work, has admirably achieved his aim. Although Chivalry will make an invaluable reference work, it is more of a tour of medieval military, political, social, and cultural developments in England and northern France from the vantage point of the elusive phenomenon we call “chivalry.” Saul’s [End Page 274] blend of chronological and thematic approaches and plurality of perspectives are keys to his accomplishment. The first six chapters are primarily chronological with thematic overtones, moving from the origins of English chivalry at the time of the Norman Conquest to the end of the fourteenth century. The next ten chapters are primarily thematic in orientation, dealing with topics like crusading, literature, and gender, but they proceed chronologically in their internal organization. The final two chapters deal with late chivalry under the Yorkists and its ultimate transformation and decline in the Tudor age. Acknowledging that chivalry is “tantalizingly hard to define precisely” and means different things to different people, Saul draws on a wide range of evidence to view the phenomenon from as many angles as possible (3). His descriptions and analysis of fortifications, churches, and funerary monuments show that his research includes a great deal of legwork outside of archives and libraries.

Chivalry is decisively oriented towards solving historical problems. Saul does not rest with demonstrating that a particular development took place, but seeks to explain why it did, in clear and accessible language. Two examples should suffice to illustrate the point. At the same time that war was endemic throughout England and Normandy in the late eleventh and early twelfth century, the conduct of war was being softened by a new courtesy. Saul says that the paradox itself offers the explanation: in a situation of constant warfare, it was in everyone’s interest to agree to a set of conventions that limited the impact of hostilities on participants and their followers (11). In explaining the twelfth-century English aristocracy’s fascination with Arthurian literature and history, the author refers to numerous factors. Within a few generations of the Norman Conquest, the aristocracy began to see itself as more English than French, but it still knew rather little about the history of the conquered country (49). The English, alone among the peoples of the British Isles, had no real foundation myth of their own (43). Thus the Arthur legend was one of the key elements in the creation of English mythology and history, which was portrayed in the nascent chivalric terms of the twelfth century, rather than as the social reality of the past (51). Saul’s treatment of such problems is consistently articulate and well supported.

Saul is closely attentive to the changing fortunes of chivalry over the course of time, avoiding the pitfall of sweeping generalizations or synchronic myopia. He notes, for example, the early date for the first decline of English chivalry: the loss of Normandy under John Lackland (61). By the end of the thirteenth century, the number of knights in the country dropped from almost 4,000 to about 1,250 (63). Financial pressures, aspiration to status, the incorporation of knights into the royal justice system, and the absence of large-scale warfare all contributed to the infrequency of dubbing. At the same time, knights of the thirteenth century moved more into the countryside and established the foundations for the gentry (68). Aside from broad social and political factors, the initiatives of particular monarchs played an important role in defining and redefining chivalry. Richard the Lionheart was the first English monarch to personally transform chivalry by incorporating it into the image of kingship. He made war a virtue rather than a necessity and actively encouraged tournaments throughout the realm (34–36). Edward I responded to the aforementioned thirteenth-century decline of knighthood by once again raising the military profile of...

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