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Table of Contents

  1. Images - Callaloo 19:2
  3. DOI: https://doi.org/10.1353/cal.1996.0051
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  1. Toni Cade Bambara: Free to be Anywhere in the Universe
  2. Farah Jasmine Griffin
  3. pp. 229-231
  4. DOI: https://doi.org/10.1353/cal.1996.0048
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  1. Greeting the New Century with a Different Kind of Magic
  2. Trudier Harris
  3. pp. 232-238
  4. DOI: https://doi.org/10.1353/cal.1996.0186
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  1. From Night Water ; an excerpt
  2. Helen Elaine Lee
  3. pp. 241-265
  4. DOI: https://doi.org/10.1353/cal.1996.0065
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  1. An Interview with Helen Elaine Lee
  2. Helen Elaine Lee, Thulani Davis
  3. pp. 266-275
  4. DOI: https://doi.org/10.1353/cal.1996.0052
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  1. First Sight
  2. Sharan Strange
  3. p. 277
  4. DOI: https://doi.org/10.1353/cal.1996.0072
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  1. Hunger
  2. Sharan Strange
  3. pp. 278-279
  4. DOI: https://doi.org/10.1353/cal.1996.0075
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  1. Natural Occurrences
  2. Sharan Strange
  3. p. 280
  4. DOI: https://doi.org/10.1353/cal.1996.0077
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  1. Froggy's Class: South Carolina, 1969
  2. Sharan Strange
  3. pp. 281-282
  4. DOI: https://doi.org/10.1353/cal.1996.0078
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  1. Dorothy
  2. Sharan Strange
  3. p. 283
  4. DOI: https://doi.org/10.1353/cal.1996.0079
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  1. Mule
  2. Sharan Strange
  3. p. 284
  4. DOI: https://doi.org/10.1353/cal.1996.0080
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  1. February 19,1994
  2. Sharan Strange
  3. p. 285
  4. DOI: https://doi.org/10.1353/cal.1996.0081
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  1. Ash
  2. Sharan Strange
  3. p. 286
  4. DOI: https://doi.org/10.1353/cal.1996.0082
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  1. The Unintended Life
  2. Sharan Strange
  3. p. 287
  4. DOI: https://doi.org/10.1353/cal.1996.0083
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  1. The Factory
  2. Sharan Strange
  3. p. 288
  4. DOI: https://doi.org/10.1353/cal.1996.0084
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  1. The Stranger
  2. Sharan Strange
  3. p. 289
  4. DOI: https://doi.org/10.1353/cal.1996.0085
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  1. The Body
  2. Sharan Strange
  3. p. 290
  4. DOI: https://doi.org/10.1353/cal.1996.0086
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  1. An Interview with Sharan Strange
  2. Toi Derricotte, Sharan Strange
  3. pp. 291-298
  4. DOI: https://doi.org/10.1353/cal.1996.0056
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  1. Venus
  2. Suzan-Lori Parks
  3. pp. 301-308
  4. DOI: https://doi.org/10.1353/cal.1996.0071
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  1. An Interview with Suzan-Lori Parks
  2. Suzan-Lori Parks, Shelby Jiggetts
  3. pp. 309-317
  4. DOI: https://doi.org/10.1353/cal.1996.0053
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  1. From The Pagoda ; an excerpt
  2. Patricia Powell
  3. pp. 319-323
  4. DOI: https://doi.org/10.1353/cal.1996.0073
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  1. An Interview with Patricia Powell
  2. Faith Smith, Patricia Powell
  3. pp. 324-329
  4. DOI: https://doi.org/10.1353/cal.1996.0055
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  1. Painter
  2. Ellen Gallagher
  3. p. 331
  4. DOI: https://doi.org/10.1353/cal.1996.0047
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  1. Sniffing Elephant Bones: The Poetics of Race in the Art of Ellen Gallagher
  2. Judith Wilson
  3. pp. 337-339
  4. DOI: https://doi.org/10.1353/cal.1996.0074
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  1. Enter, the Tribe of Woman
  2. Opal Moore
  3. pp. 340-347
  4. DOI: https://doi.org/10.1353/cal.1996.0070
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  1. Accounting
  2. Natasha D. Trethewey
  3. p. 349
  4. DOI: https://doi.org/10.1353/cal.1996.0087
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  1. Beginning
  2. Natasha D. Trethewey
  3. p. 350
  4. DOI: https://doi.org/10.1353/cal.1996.0088
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  1. Calling His Children Home
  2. Natasha D. Trethewey
  3. p. 351
  4. DOI: https://doi.org/10.1353/cal.1996.0101
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  1. Closing Time
  2. Natasha D. Trethewey
  3. p. 352
  4. DOI: https://doi.org/10.1353/cal.1996.0089
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  1. Deedywops
  2. Natasha D. Trethewey
  3. p. 353
  4. DOI: https://doi.org/10.1353/cal.1996.0090
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  1. Delta Sharecroppers, 1930
  2. Natasha D. Trethewey
  3. p. 354
  4. DOI: https://doi.org/10.1353/cal.1996.0091
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  1. Expectant
  2. Natasha D. Trethewey
  3. p. 355
  4. DOI: https://doi.org/10.1353/cal.1996.0092
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  1. History Lesson
  2. Natasha D. Trethewey
  3. p. 356
  4. DOI: https://doi.org/10.1353/cal.1996.0093
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  1. Hot Comb
  2. Natasha D. Trethewey
  3. p. 357
  4. DOI: https://doi.org/10.1353/cal.1996.0094
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  1. The House Down the Street
  2. Natasha D. Trethewey
  3. p. 358
  4. DOI: https://doi.org/10.1353/cal.1996.0095
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  1. Saturday Drive
  2. Natasha D. Trethewey
  3. p. 359
  4. DOI: https://doi.org/10.1353/cal.1996.0096
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  1. Secular
  2. Natasha D. Trethewey
  3. p. 360
  4. DOI: https://doi.org/10.1353/cal.1996.0097
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  1. The Four Corners
  2. Natasha D. Trethewey
  3. pp. 361-362
  4. DOI: https://doi.org/10.1353/cal.1996.0098
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  1. Laying the Waves
  2. Natasha D. Trethewey
  3. p. 363
  4. DOI: https://doi.org/10.1353/cal.1996.0099
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  1. An Interview with Natasha Trethewey
  2. Natasha D. Trethewey, Jill Petty
  3. pp. 364-375
  4. DOI: https://doi.org/10.1353/cal.1996.0057
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  1. From "The Journals of Water Days 1986"
  2. Edwidge Danticat
  3. pp. 377-381
  4. DOI: https://doi.org/10.1353/cal.1996.0045
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  1. The Dangerous Job of Edwidge Danticat: An Interview
  2. Edwidge Danticat, Renee Hausmann Shea
  3. pp. 382-389
  4. DOI: https://doi.org/10.1353/cal.1996.0040
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  1. Photographer
  2. Lorna Simpson
  3. p. 391
  4. DOI: https://doi.org/10.1353/cal.1996.0076
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  1. Back Talk: Recoding the Body
  2. Beryl J. Wright
  3. pp. 397-413
  4. DOI: https://doi.org/10.1353/cal.1996.0100
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  1. Constellations
  2. Audrey Petty
  3. pp. 415-421
  4. DOI: https://doi.org/10.1353/cal.1996.0058
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  1. Traces
  2. Audrey Petty
  3. pp. 422-427
  4. DOI: https://doi.org/10.1353/cal.1996.0059
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  1. Sugar
  2. Audrey Petty
  3. pp. 428-430
  4. DOI: https://doi.org/10.1353/cal.1996.0060
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  1. An Interview with Audrey Petty
  2. Diane Paylor, Audrey Petty
  3. pp. 431-441
  4. DOI: https://doi.org/10.1353/cal.1996.0054
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  1. Summers on Screvin
  2. Allison Joseph
  3. pp. 443-445
  4. DOI: https://doi.org/10.1353/cal.1996.0061
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  1. On Sidewalks, on Streetcorners, As Girls
  2. Allison Joseph
  3. pp. 446-447
  4. DOI: https://doi.org/10.1353/cal.1996.0062
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  1. Playing Rough
  2. Allison Joseph
  3. pp. 448-450
  4. DOI: https://doi.org/10.1353/cal.1996.0063
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  1. Artist-in-Residence
  2. Allison Joseph
  3. pp. 451-452
  4. DOI: https://doi.org/10.1353/cal.1996.0064
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  1. It's Tough to be a Girl Scout in the City
  2. Allison Joseph
  3. pp. 453-454
  4. DOI: https://doi.org/10.1353/cal.1996.0066
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  1. The Tenant
  2. Allison Joseph
  3. pp. 455-456
  4. DOI: https://doi.org/10.1353/cal.1996.0067
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  1. Senora Williams
  2. Allison Joseph
  3. pp. 457-458
  4. DOI: https://doi.org/10.1353/cal.1996.0068
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  1. Plenty
  2. Allison Joseph
  3. pp. 459-460
  4. DOI: https://doi.org/10.1353/cal.1996.0069
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  1. An Interview with Allison Joseph
  2. Allison Joseph, Kendra Hamilton
  3. pp. 461-472
  4. DOI: https://doi.org/10.1353/cal.1996.0042
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  1. From Diva Studies: A Verse Play; an excerpt
  2. Elizabeth Alexander
  3. pp. 475-492
  4. DOI: https://doi.org/10.1353/cal.1996.0041
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  1. An Interview with Elizabeth Alexander
  2. Elizabeth Alexander, Christine Phillip
  3. pp. 493-507
  4. DOI: https://doi.org/10.1353/cal.1996.0039
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  1. The Daughters' Arrival: The Earliest Black Women's Writing Community
  2. Katherine Clay Bassard
  3. pp. 508-518
  4. DOI: https://doi.org/10.1353/cal.1996.0043
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  1. Textual Healing: Claiming Black Women's Bodies, the Erotic and Resistance in Contemporary Novels of Slavery
  2. Farah Jasmine Griffin
  3. pp. 519-536
  4. DOI: https://doi.org/10.1353/cal.1996.0049
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  1. Seduction and the Ruses of Power
  2. Saidiya V. Hartman
  3. pp. 537-560
  4. DOI: https://doi.org/10.1353/cal.1996.0050
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  1. Editor's Note
  2. Charles H. Rowell
  3. pp. v-vi
  4. DOI: https://doi.org/10.1353/cal.1996.0046
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  1. Contributors
  3. pp. 561-565
  4. DOI: https://doi.org/10.1353/cal.1996.0044
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