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Table of Contents

  1. Sunrise over Cassis
  2. Adam Zagajewski, Clare Cavanagh
  3. p. 5
  4. DOI: https://doi.org/10.1353/cal.0.0372
  5. restricted access
  1. December
  2. Adam Zagajewski, Clare Cavanagh
  3. p. 6
  4. DOI: https://doi.org/10.1353/cal.0.0390
  5. restricted access
  1. The Majesty of Sleep
  2. Adam Zagajewski, Clare Cavanagh
  3. p. 7
  4. DOI: https://doi.org/10.1353/cal.0.0294
  5. restricted access
  1. Dear C
  2. Barbara Ras
  3. pp. 8-9
  4. DOI: https://doi.org/10.1353/cal.0.0312
  5. restricted access
  1. Lunar: A History: For Don on our fiftieth anniversary
  2. Betty Adcock
  3. pp. 10-11
  4. DOI: https://doi.org/10.1353/cal.0.0330
  5. restricted access
  1. Wild Indigo, Because
  2. Cyrus Cassells
  3. p. 12
  4. DOI: https://doi.org/10.1353/cal.0.0347
  5. restricted access
  1. The White Iris Beautifies Me
  2. Cyrus Cassells
  3. pp. 13-14
  4. DOI: https://doi.org/10.1353/cal.0.0365
  5. restricted access
  1. From Dividing the Estate
  2. Horton Foote
  3. pp. 15-41
  4. DOI: https://doi.org/10.1353/cal.0.0383
  5. restricted access
  1. From Thought Clouds
  2. A. Van Jordan
  3. pp. 42-44
  4. DOI: https://doi.org/10.1353/cal.0.0401
  5. restricted access
  1. From Blood, Sister
  2. Sasha Pimentel Chacón
  3. pp. 45-46
  4. DOI: https://doi.org/10.1353/cal.0.0305
  5. restricted access
  1. Away, Running: A Look at a Different Paris
  2. David Wright
  3. pp. 47-56
  4. DOI: https://doi.org/10.1353/cal.0.0323
  5. restricted access
  1. Interview with Valerie Cassel Oliver
  2. Charles Henry Rowell
  3. pp. 57-64
  4. DOI: https://doi.org/10.1353/cal.0.0340
  5. restricted access
  1. Forest Neurotica
  2. Catherine Bowman
  3. p. 69
  4. DOI: https://doi.org/10.1353/cal.0.0358
  5. restricted access
  1. Lessons in Threes
  2. Catherine Bowman
  3. p. 70
  4. DOI: https://doi.org/10.1353/cal.0.0376
  5. restricted access
  1. Track 4: Reflection: As performed by Diana Ross
  2. Jericho Brown
  3. p. 71
  4. DOI: https://doi.org/10.1353/cal.0.0394
  5. restricted access
  1. Track 5: Summertime: As performed by Janis Joplin
  2. Jericho Brown
  3. p. 72
  4. DOI: https://doi.org/10.1353/cal.0.0298
  5. restricted access
  1. Anything but Standard
  2. Edward Hirsch
  3. p. 73
  4. DOI: https://doi.org/10.1353/cal.0.0316
  5. restricted access
  1. Museum of Natural History #12, Bench Seating at the Atomic Test, 6/4/53
  2. Sasha West
  3. p. 74
  4. DOI: https://doi.org/10.1353/cal.0.0334
  5. restricted access
  1. Theories of Language
  2. Sasha West
  3. p. 75
  4. DOI: https://doi.org/10.1353/cal.0.0351
  5. restricted access
  1. Consider, T. H.
  2. Sasha West
  3. pp. 76-77
  4. DOI: https://doi.org/10.1353/cal.0.0369
  5. restricted access
  1. Passing, a Home Front Memory
  2. Hosam Aboul-Ela
  3. pp. 78-83
  4. DOI: https://doi.org/10.1353/cal.0.0387
  5. restricted access
  1. Pipistrelle
  2. Mark Doty
  3. pp. 84-86
  4. DOI: https://doi.org/10.1353/cal.0.0405
  5. restricted access
  1. To Joan Mitchell
  2. Mark Doty
  3. pp. 87-90
  4. DOI: https://doi.org/10.1353/cal.0.0309
  5. restricted access
  1. The Afterlife
  2. Michael Collins
  3. p. 91
  4. DOI: https://doi.org/10.1353/cal.0.0327
  5. restricted access
  1. Patriotism
  2. Michael Collins
  3. p. 92
  4. DOI: https://doi.org/10.1353/cal.0.0344
  5. restricted access
  1. The Curious Journey of Ulysses Paradeece After a Hurricane
  2. Ai
  3. pp. 93-96
  4. DOI: https://doi.org/10.1353/cal.0.0362
  5. restricted access
  1. Home of the Brave
  2. Tony Hoagland
  3. pp. 97-98
  4. DOI: https://doi.org/10.1353/cal.0.0380
  5. restricted access
  1. Black SUV: (after Vallejo)
  2. Tony Hoagland
  3. p. 99
  4. DOI: https://doi.org/10.1353/cal.0.0398
  5. restricted access
  1. The Story of White People
  2. Tony Hoagland
  3. p. 100
  4. DOI: https://doi.org/10.1353/cal.0.0302
  5. restricted access
  1. Hot Springs
  2. Tony Hoagland
  3. p. 101
  4. DOI: https://doi.org/10.1353/cal.0.0320
  5. restricted access
  1. The Search for the Perfect Sidecar
  2. Kendra Hamilton
  3. pp. 102-109
  4. DOI: https://doi.org/10.1353/cal.0.0337
  5. restricted access
  1. Smoke Under the Bale
  2. Vievee Francis
  3. p. 110
  4. DOI: https://doi.org/10.1353/cal.0.0355
  5. restricted access
  1. Horse in the Dark
  2. Vievee Francis
  3. pp. 111-112
  4. DOI: https://doi.org/10.1353/cal.0.0373
  5. restricted access
  1. Amarillo (1971)
  2. Vievee Francis
  3. p. 113
  4. DOI: https://doi.org/10.1353/cal.0.0391
  5. restricted access
  1. Still Life with Summer Sausage, a Blade, and No Blood (East Texas, 198_)
  2. Vievee Francis
  3. p. 114
  4. DOI: https://doi.org/10.1353/cal.0.0295
  5. restricted access
  1. Shotguns, 1987: (after the painting by John Biggers)
  2. Larry Thomas
  3. p. 115
  4. DOI: https://doi.org/10.1353/cal.0.0313
  5. restricted access
  1. Dwelling on the Darkness
  2. Larry Thomas
  3. p. 116
  4. DOI: https://doi.org/10.1353/cal.0.0331
  5. restricted access
  1. Poems to be Sent on Postcards of the Desert
  2. Janet McCann
  3. pp. 117-118
  4. DOI: https://doi.org/10.1353/cal.0.0348
  5. restricted access
  1. Widows at the Slot Machines
  2. Janet McCann
  3. p. 119
  4. DOI: https://doi.org/10.1353/cal.0.0366
  5. restricted access
  1. Without Tongue: 10 Minute Play
  2. Angie Cruz
  3. pp. 120-127
  4. DOI: https://doi.org/10.1353/cal.0.0384
  5. restricted access
  1. A Freight Train to Laredo
  2. Daniel Peña
  3. p. 128
  4. DOI: https://doi.org/10.1353/cal.0.0402
  5. restricted access
  1. Exhaustion
  2. Daniel Peña
  3. p. 129
  4. DOI: https://doi.org/10.1353/cal.0.0306
  5. restricted access
  1. Undocumented
  2. Daniel Peña
  3. p. 130
  4. DOI: https://doi.org/10.1353/cal.0.0324
  5. restricted access
  1. How I Got a Tattoo
  2. Antonya Nelson
  3. pp. 131-134
  4. DOI: https://doi.org/10.1353/cal.0.0341
  5. restricted access
  1. Shame
  2. Rich Levy
  3. pp. 135-136
  4. DOI: https://doi.org/10.1353/cal.0.0359
  5. restricted access
  1. Yearning: A Ghazal
  2. Rich Levy
  3. p. 137
  4. DOI: https://doi.org/10.1353/cal.0.0377
  5. restricted access
  1. After His Retirement, LBJ Visits Greenville
  2. Susan Wood
  3. pp. 138-139
  4. DOI: https://doi.org/10.1353/cal.0.0395
  5. restricted access
  1. “The Strange Case of the Virgin Lidwina”: —first recorded case of multiple sclerosis, 1421
  2. Susan Wood
  3. pp. 140-141
  4. DOI: https://doi.org/10.1353/cal.0.0299
  5. restricted access
  1. Present Tense
  2. Harryette Mullen
  3. p. 142
  4. DOI: https://doi.org/10.1353/cal.0.0317
  5. restricted access
  1. Denigration
  2. Harryette Mullen
  3. p. 143
  4. DOI: https://doi.org/10.1353/cal.0.0335
  5. restricted access
  1. Starving
  2. Patricia Phillippy
  3. p. 144
  4. DOI: https://doi.org/10.1353/cal.0.0352
  5. restricted access
  1. Hibiscus
  2. Patricia Phillippy
  3. p. 145
  4. DOI: https://doi.org/10.1353/cal.0.0370
  5. restricted access
  1. Las Milpas en Iowa
  2. Dagoberto Gilb
  3. pp. 146-154
  4. DOI: https://doi.org/10.1353/cal.0.0388
  5. restricted access
  1. Douglass, a Last Letter
  2. Tim Seibles
  3. pp. 155-159
  4. DOI: https://doi.org/10.1353/cal.0.0406
  5. restricted access
  1. Estill’s Daughter
  2. Dennis L. Winston
  3. p. 160
  4. DOI: https://doi.org/10.1353/cal.0.0310
  5. restricted access
  1. Solset
  2. Dennis L. Winston
  3. p. 161
  4. DOI: https://doi.org/10.1353/cal.0.0409
  5. restricted access
  1. Pirates
  2. Dennis L. Winston
  3. p. 162
  4. DOI: https://doi.org/10.1353/cal.0.0408
  5. restricted access
  1. Dithyramb: Nocturnal
  2. Daniel Robinson
  3. pp. 163-164
  4. DOI: https://doi.org/10.1353/cal.0.0328
  5. restricted access
  1. […]
  2. Daniel Robinson
  3. p. 165
  4. DOI: https://doi.org/10.1353/cal.0.0345
  5. restricted access
  1. Interview with Franklin Sirmans
  2. Charles Henry Rowell
  3. pp. 166-176
  4. DOI: https://doi.org/10.1353/cal.0.0363
  5. restricted access
  1. Climbing Jacob’s Ladder
  2. Scott Hightower
  3. p. 181
  4. DOI: https://doi.org/10.1353/cal.0.0381
  5. restricted access
  1. The Neptune Festival
  2. Scott Hightower
  3. pp. 182-183
  4. DOI: https://doi.org/10.1353/cal.0.0399
  5. restricted access
  1. Ranch Widow
  2. Scott Hightower
  3. p. 184
  4. DOI: https://doi.org/10.1353/cal.0.0303
  5. restricted access
  1. My Mother in Her Being—Photograph: ca. 1947
  2. Margo Tamez
  3. pp. 185-187
  4. DOI: https://doi.org/10.1353/cal.0.0321
  5. restricted access
  1. Danger: For Chloe
  2. Roger Jones
  3. p. 188
  4. DOI: https://doi.org/10.1353/cal.0.0338
  5. restricted access
  1. Life at the Arcade
  2. Roger Jones
  3. p. 189
  4. DOI: https://doi.org/10.1353/cal.0.0356
  5. restricted access
  1. Filming My New Novel, Vexed; Rich and Poor Latinos
  2. Marco Portales
  3. pp. 190-194
  4. DOI: https://doi.org/10.1353/cal.0.0374
  5. restricted access
  1. Vacationers at Amecameca
  2. Betsy Colquitt
  3. pp. 195-196
  4. DOI: https://doi.org/10.1353/cal.0.0392
  5. restricted access
  1. Brodsky’s Overcoat
  2. Leonardo Guevara Navarro, Kristin Dykstra
  3. pp. 197-198
  4. DOI: https://doi.org/10.1353/cal.0.0296
  5. restricted access
  1. Blood on All Your Shirts
  2. Naomi Shihab Nye
  3. p. 199
  4. DOI: https://doi.org/10.1353/cal.0.0314
  5. restricted access
  1. My Father, On Dialysis
  2. Naomi Shihab Nye
  3. p. 200
  4. DOI: https://doi.org/10.1353/cal.0.0332
  5. restricted access
  1. Gerald Stern, 1992
  2. John Poch
  3. p. 201
  4. DOI: https://doi.org/10.1353/cal.0.0349
  5. restricted access
  1. Song
  2. John Poch
  3. p. 202
  4. DOI: https://doi.org/10.1353/cal.0.0367
  5. restricted access
  1. Why I Just Dropped the Nature Bouquet
  2. John Poch
  3. p. 203
  4. DOI: https://doi.org/10.1353/cal.0.0385
  5. restricted access
  1. Any Minute Now
  2. Jack Myers
  3. p. 204
  4. DOI: https://doi.org/10.1353/cal.0.0403
  5. restricted access
  1. With a Bible and a Gun
  2. Paul Christensen
  3. pp. 205-206
  4. DOI: https://doi.org/10.1353/cal.0.0307
  5. restricted access
  1. Hiking at Burrito Canyon
  2. Paul Christensen
  3. p. 207
  4. DOI: https://doi.org/10.1353/cal.0.0325
  5. restricted access
  1. Confessional Poem
  2. Rosa Alcalá
  3. p. 208
  4. DOI: https://doi.org/10.1353/cal.0.0342
  5. restricted access
  1. Land Art in the Silk City
  2. Rosa Alcalá
  3. p. 209
  4. DOI: https://doi.org/10.1353/cal.0.0360
  5. restricted access
  1. Family Photo #5: Bob
  2. Hermine Pinson
  3. pp. 210-216
  4. DOI: https://doi.org/10.1353/cal.0.0378
  5. restricted access
  1. A Cornfield in Cuba
  2. B. V. Olguín
  3. pp. 217-218
  4. DOI: https://doi.org/10.1353/cal.0.0396
  5. restricted access
  1. Nom de Guerre: Upon Visiting the Che Memorial in Santa Clara, Cuba
  2. B. V. Olguín
  3. pp. 219-220
  4. DOI: https://doi.org/10.1353/cal.0.0300
  5. restricted access
  1. Still Life with Window and Chair
  2. Steve Wilson
  3. p. 221
  4. DOI: https://doi.org/10.1353/cal.0.0318
  5. restricted access
  1. Die Wunderkammer
  2. Steve Wilson
  3. p. 222
  4. DOI: https://doi.org/10.1353/cal.0.0336
  5. restricted access
  1. Homage to Lead
  2. Bruce Bond
  3. pp. 223-224
  4. DOI: https://doi.org/10.1353/cal.0.0353
  5. restricted access
  1. The Reason for All Things: (Lovers in love and over love)
  2. Eduardo Espina, Ben Bollig
  3. p. 225
  4. DOI: https://doi.org/10.1353/cal.0.0371
  5. restricted access
  1. Zeno’s Tortoise: (In quietude, velocity sleeps)
  2. Eduardo Espina, Ben Bollig
  3. pp. 226-227
  4. DOI: https://doi.org/10.1353/cal.0.0389
  5. restricted access
  1. It is Most Fortunate that the Child is Tall Enough to Ride: A haiku
  2. Crystal Boson
  3. p. 228
  4. DOI: https://doi.org/10.1353/cal.0.0407
  5. restricted access
  1. Drunk the Night After the Eclipse: After Li Po
  2. Christian Bancroft
  3. p. 229
  4. DOI: https://doi.org/10.1353/cal.0.0311
  5. restricted access
  1. From Tasting Every Horizon
  2. Christian Bancroft
  3. p. 230
  4. DOI: https://doi.org/10.1353/cal.0.0329
  5. restricted access
  1. From Mahoney’s Life: A Poetry Sequence
  2. Peter LaSalle
  3. pp. 231-232
  4. DOI: https://doi.org/10.1353/cal.0.0346
  5. restricted access
  1. Wellfleet: i.m. John Slatin
  2. Kurt Heinzelman
  3. pp. 233-234
  4. DOI: https://doi.org/10.1353/cal.0.0364
  5. restricted access
  1. Heartbeat
  2. Sehba Sarwar
  3. pp. 235-240
  4. DOI: https://doi.org/10.1353/cal.0.0382
  5. restricted access
  1. From The Man Who Saved New Orleans
  2. Thomas Meloncon
  3. pp. 241-252
  4. DOI: https://doi.org/10.1353/cal.0.0400
  5. restricted access
  1. The Literalist
  2. William Wenthe
  3. pp. 253-254
  4. DOI: https://doi.org/10.1353/cal.0.0304
  5. restricted access
  1. Reading
  2. William Wenthe
  3. p. 255
  4. DOI: https://doi.org/10.1353/cal.0.0322
  5. restricted access
  1. The Men in the Seersucker Suits
  2. Joseph Campana
  3. pp. 256-257
  4. DOI: https://doi.org/10.1353/cal.0.0339
  5. restricted access
  1. River Oaks
  2. Joseph Campana
  3. p. 258
  4. DOI: https://doi.org/10.1353/cal.0.0357
  5. restricted access
  1. The Apprenticeship of Jelly Roll Morton
  2. Jennifer Key
  3. pp. 259-260
  4. DOI: https://doi.org/10.1353/cal.0.0375
  5. restricted access
  1. An Interview with Alvia Wardlaw
  2. Charles Henry Rowell
  3. pp. 261-276
  4. DOI: https://doi.org/10.1353/cal.0.0393
  5. restricted access
  1. The Cambridge Companion to the African American Slave Narrative (review)
  2. Michael Chaney
  3. pp. 281-284
  4. DOI: https://doi.org/10.1353/cal.0.0297
  5. restricted access
  1. Incognegro: A Memoir of Exile and Apartheid (review)
  2. Meta L. Schettler
  3. pp. 285-287
  4. DOI: https://doi.org/10.1353/cal.0.0315
  5. restricted access
  1. In Search of Nella Larsen: A Biography of the Color Line (review)
  2. Eric Gardner
  3. pp. 288-290
  4. DOI: https://doi.org/10.1353/cal.0.0333
  5. restricted access
  1. A Kind of Friendship
  2. Michele L. Simms-Burton
  3. pp. 291-293
  4. DOI: https://doi.org/10.1353/cal.0.0350
  5. restricted access
  1. Poetry and Violence: The Ballad Tradition of Mexico’s Costa Chica (review)
  2. Angela N. Castañeda
  3. pp. 293-295
  4. DOI: https://doi.org/10.1353/cal.0.0368
  5. restricted access
  1. No Zip-a-Dee-Doo-Dahs in Randall Horton’s The Definition of Place
  2. Truth Thomas
  3. pp. 296-300
  4. DOI: https://doi.org/10.1353/cal.0.0386
  5. restricted access
  1. The Architecture of Language (review)
  2. Lucinda Roy
  3. pp. 300-303
  4. DOI: https://doi.org/10.1353/cal.0.0404
  5. restricted access
  1. Black Fire Reignited
  2. Michele Beverly
  3. pp. 303-307
  4. DOI: https://doi.org/10.1353/cal.0.0308
  5. restricted access
  1. Santeria: A Practical Guide to Afro-Caribbean Magic, and: Santeria Stories (review)
  2. Menoukha Case
  3. pp. 307-313
  4. DOI: https://doi.org/10.1353/cal.0.0326
  5. restricted access
  1. The Regal Theater and Black Culture (review)
  2. Carol Bunch Davis
  3. pp. 314-317
  4. DOI: https://doi.org/10.1353/cal.0.0343
  5. restricted access
  1. Faithful Vision: Treatments of the Sacred, Spiritual, and the Supernatural in Twentieth Century African American Fiction, and: Singing in a Strange Land: C. L. Franklin, the Black Church, and the Transformation of America (review)
  2. Josef Sorett
  3. pp. 318-322
  4. DOI: https://doi.org/10.1353/cal.0.0361
  5. restricted access
  1. The New Negro: Readings on Race, Representation, and African American Culture, 1892–1938 (review)
  2. Gabriel A. Briggs
  3. pp. 322-325
  4. DOI: https://doi.org/10.1353/cal.0.0379
  5. restricted access
  1. Forthcoming Table of Contents/Celebrating Texas Writers: Part 2
  3. pp. 335-336
  4. DOI: https://doi.org/10.1353/cal.0.0301
  5. restricted access
  1. Images
  2. Demetrius Oliver, Robert Pruitt, Joseph Havel, Dario Robleto, Trenton Doyle Hancock, David McGee, John T. Biggers, Jean Lacy, Mequitta Ahuja, Dawolu Jabari Anderson
  3. pp. i-xii
  4. DOI: https://doi.org/10.1353/cal.0.0319
  5. restricted access
  1. Eyes Upon Texas: The Editor’s Notes
  2. Charles Henry Rowell
  3. pp. 1-4
  4. DOI: https://doi.org/10.1353/cal.0.0354
  5. restricted access
  1. Contributors
  3. pp. 326-334
  4. DOI: https://doi.org/10.1353/cal.0.0397
  5. restricted access