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Table of Contents

  1. Social Roles and Ideology, Dramatic Roles and Theatrical Convention in El gran teatro del mundo
  2. Carroll B. Johnson
  3. pp. 247-272
  4. DOI: https://doi.org/10.1353/boc.1997.0033
  5. restricted access
  1. Mirando de cerca "Mujer, Comedia y pintura" en las obras dramáticas de Lope de Vega y Calderón de la Barca
  2. María Asunción Gómez
  3. pp. 273-293
  4. DOI: https://doi.org/10.1353/boc.1997.0037
  5. restricted access
  1. Las representaciones de El tejedor de Segovia de Juan Ruiz de Alarcón y la Primera Parte dudosa
  2. Kenneth A. Stackhouse
  3. pp. 295-306
  4. DOI: https://doi.org/10.1353/boc.1997.0019
  5. restricted access
  1. The "Strong Woman" in Calderón's Autos: The Exegetical and Iconographic Tradition of the Virgin Immaculate
  2. Nancy K. Mayberry
  3. pp. 307-318
  4. DOI: https://doi.org/10.1353/boc.1997.0022
  5. restricted access
  1. La comedia en colaboración: recursos escénicos y teatralidad en Caer para levantar
  2. Anny Guimont
  3. pp. 319-336
  4. DOI: https://doi.org/10.1353/boc.1997.0025
  5. restricted access
  1. The Play of Race and Gender in Vélez de Guevara's Virtudes vencen señales
  2. Baltasar Fra-Molinero
  3. pp. 337-355
  4. DOI: https://doi.org/10.1353/boc.1997.0028
  5. restricted access
  1. El ingenio en la mujer: La traición en la amistad de María de Zayas entre Lope de Vega y Huarte de San Juan
  2. José A. Rodríguez-Garrido
  3. pp. 357-373
  4. DOI: https://doi.org/10.1353/boc.1997.0031
  5. restricted access
  1. Spanish Comedy and Historical Contexts in the 1620s (review)
  2. Marcia L. Welles
  3. pp. 375-377
  4. DOI: https://doi.org/10.1353/boc.1997.0035
  5. restricted access
  1. El burlador de Sevlla y convidado de piedra (review)
  2. William R. Blue
  3. pp. 377-378
  4. DOI: https://doi.org/10.1353/boc.1997.0039
  5. restricted access
  1. El arte nuevo de estudiar comedias: Literary Theory and Golden Age Drama (review)
  2. Barbara E. Kurtz
  3. pp. 378-380
  4. DOI: https://doi.org/10.1353/boc.1997.0021
  5. restricted access
  1. The Play in the Mirror: Lacanian Perspectives on Spanish Baroque Theater (review)
  2. Christopher B. Weimer
  3. pp. 380-383
  4. DOI: https://doi.org/10.1353/boc.1997.0024
  5. restricted access
  1. El Otomano famoso (o la famosa comedia otomana) (review)
  2. Nancy Mayberry
  3. pp. 383-384
  4. DOI: https://doi.org/10.1353/boc.1997.0027
  5. restricted access
  1. Heavenly Bodies. The Realms of 'La estrella de Sevilla' (review)
  2. Elizabeth Teresa Howe
  3. pp. 384-386
  4. DOI: https://doi.org/10.1353/boc.1997.0030
  5. restricted access
  1. Canonical States, Canonical Stages: Oedipus, Othering, and Seventeenth-Century Drama (review)
  2. Christopher B. Weimer
  3. pp. 386-388
  4. DOI: https://doi.org/10.1353/boc.1997.0034
  5. restricted access
  1. Anuario Lope de Vega, I (review)
  2. Willard King
  3. pp. 388-390
  4. DOI: https://doi.org/10.1353/boc.1997.0038
  5. restricted access
  1. La quinta de Florencia. A Critical (review)
  2. Carol Kirby
  3. pp. 391-394
  4. DOI: https://doi.org/10.1353/boc.1997.0020
  5. restricted access
  1. Texto y espectáculo. Proceedings of the Fifteenth International Golden Age Spanish Teatre Symposium (March 8-11, 1995) at The University of Texas, El Paso (review)
  2. David H. Darst
  3. pp. 394-395
  4. DOI: https://doi.org/10.1353/boc.1997.0023
  5. restricted access
  1. Negotiating Past and Present. Studies in Spanish Literature for Javier Herrero (review)
  2. Alan Soons
  3. pp. 396-402
  4. DOI: https://doi.org/10.1353/boc.1997.0026
  5. restricted access
  1. Biblioarafía crítica comentada de 'La vida es sueño' (1682-1994) (review)
  2. A. Julián Valbuena-Briones
  3. pp. 402-404
  4. DOI: https://doi.org/10.1353/boc.1997.0029
  5. restricted access
  1. The Calderonian Stage Body and Soul (review)
  2. Elizabeth Teresa Hose
  3. pp. 404-406
  4. DOI: https://doi.org/10.1353/boc.1997.0032
  5. restricted access
  1. Hannah E. Bergman Publications and Presentations
  2. Szilvia E. Szmuk
  3. pp. 407-412
  4. DOI: https://doi.org/10.1353/boc.1997.0036
  5. restricted access