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Table of Contents

  1. Lope and the Moriscos
  2. Thomas E. Case
  3. pp. 195-216
  4. DOI: https://doi.org/10.1353/boc.1992.0015
  5. restricted access
  1. Stage Darkness in the Early Plays of Lope de Vega
  2. Margaret R. Hicks
  3. pp. 217-230
  4. DOI: https://doi.org/10.1353/boc.1992.0002
  5. restricted access
  1. The Textualization of Tradition: El vizcaíno fingido and the Development of the Entremés as a Literary Genre
  2. Michael Karl Schuessler
  3. pp. 231-241
  4. DOI: https://doi.org/10.1353/boc.1992.0005
  5. restricted access
  1. Comedia Manuscripts in Rome, Part II
  2. John V. Falconieri
  3. pp. 243-251
  4. DOI: https://doi.org/10.1353/boc.1992.0008
  5. restricted access
  1. El Testamento de Luis Quiñones de Benavente
  2. María Luisa Lobato
  3. pp. 253-259
  4. DOI: https://doi.org/10.1353/boc.1992.0010
  5. restricted access
  1. Powerless or Empowered?: Women in Guillén de Castro's Las mocedades del Cid and Las hazañas del Cid
  2. Marjorie Ratcliffe
  3. pp. 261-267
  4. DOI: https://doi.org/10.1353/boc.1992.0012
  5. restricted access
  1. Casa de las Comedias de Córdoba: 1602-1694. Reconstrucción documental, and: El Teatro Cervantes de Alcalá de Henares: 1602-1866. Estudio y documentos (review)
  2. Alan Soons
  3. pp. 269-271
  4. DOI: https://doi.org/10.1353/boc.1992.0014
  5. restricted access
  1. Language and the Comedia: Theory and Practice (review)
  2. Charles Oriel
  3. pp. 271-273
  4. DOI: https://doi.org/10.1353/boc.1992.0001
  5. restricted access
  1. Homenaje a Kurt y Roswitha Reichenberger: Estudios sobre Calderón y el teatro de la edad de oro (review)
  2. Susana Hernández Araico
  3. pp. 273-276
  4. DOI: https://doi.org/10.1353/boc.1992.0004
  5. restricted access
  1. Comedias del siglo de oro and Shakespeare (review)
  2. Raymond Conlon
  3. pp. 276-277
  4. DOI: https://doi.org/10.1353/boc.1992.0007
  5. restricted access
  1. Fatal Union: Pluralistic Approach to the Spanish Wife-Murder Comedias (review)
  2. Frank P. Casa
  3. pp. 277-279
  4. DOI: https://doi.org/10.1353/boc.1992.0009
  5. restricted access
  1. Poetry as Play: Gongorismo and the Comedia (review)
  2. Marsha S. Collins
  3. pp. 279-281
  4. DOI: https://doi.org/10.1353/boc.1992.0011
  5. restricted access
  1. Actor y técnica de representación del teatro clásico español (review)
  2. Catherine Larson
  3. pp. 281-283
  4. DOI: https://doi.org/10.1353/boc.1992.0013
  5. restricted access
  1. The Liturgical Context of Early European Drama (review)
  2. Robert Morrison
  3. pp. 283-285
  4. DOI: https://doi.org/10.1353/boc.1992.0000
  5. restricted access
  1. Mentidero: The 1992 Comediantes Banquet
  2. Michael McGaha
  3. pp. 287-289
  4. DOI: https://doi.org/10.1353/boc.1992.0003
  5. restricted access
  1. Bibliography of Publications on the Comedia (1991-1992)
  2. Szilvia E. Szmuk, David J. Billick, Cory A. Reed, David H. Darst, Halina Czarnocka, John J. Reynolds, Ann L. Mackenzie, Jose Maria Ruano de la Haza
  3. pp. 291-354
  4. DOI: https://doi.org/10.1353/boc.1992.0006
  5. restricted access