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In this Issue

Table of Contents

  1. Imágenes de la sexualidad en La venganza de Tamar de Tirso
  2. Everett W. Hesse
  3. pp. 163-172
  4. DOI: https://doi.org/10.1353/boc.1989.0015
  5. restricted access
  1. Evidenciary Marks in Comedias Sueltas: Recording and Interpreting Manuscript Markings on Plays
  2. Víctor Arizpe
  3. pp. 173-195
  4. DOI: https://doi.org/10.1353/boc.1989.0018
  5. restricted access
  1. History and Invention in La Tragedia de San Hermenegildo
  2. Michael J. Ruggerio
  3. pp. 197-209
  4. DOI: https://doi.org/10.1353/boc.1989.0021
  5. restricted access
  1. Deliberate Choice as One Reason for the Scarcity of Early Castilian Dramatic Texts
  2. Robert Morrison
  3. pp. 211-216
  4. DOI: https://doi.org/10.1353/boc.1989.0024
  5. restricted access
  1. Reconstructing Narcissus: Vision and Voice in Calderón's Eco y Narciso
  2. Anne M. Pasero
  3. pp. 217-226
  4. DOI: https://doi.org/10.1353/boc.1989.0027
  5. restricted access
  1. A Patron and a Playwright in Renaissance Spain: The House of Feria and Diego Sánchez de Badajoz (review)
  2. Barbara F. Weissberger
  3. pp. 227-228
  4. DOI: https://doi.org/10.1353/boc.1989.0029
  5. restricted access
  1. Los arriendos de los corrales de comedias de Madrid: 1587-1719. Estudio y documentos (review)
  2. Alan Soons
  3. pp. 229-230
  4. DOI: https://doi.org/10.1353/boc.1989.0014
  5. restricted access
  1. Bulletin of Hispanic Studies 64.1(1987). Studies in Golden Age Drama (review)
  2. Ruth Lundelius
  3. pp. 230-232
  4. DOI: https://doi.org/10.1353/boc.1989.0017
  5. restricted access
  1. La presumida y la hermosa (Brains, or Beauty) (review)
  2. Michael McGaha
  3. pp. 232-233
  4. DOI: https://doi.org/10.1353/boc.1989.0020
  5. restricted access
  1. Comedias sueltas in Cambridge University Library (2) (review)
  2. Karl C. Gregg
  3. pp. 233-236
  4. DOI: https://doi.org/10.1353/boc.1989.0023
  5. restricted access
  1. El último godo and the Dynamics of Urdrama (review)
  2. Carol Bingham Kirby
  3. pp. 236-237
  4. DOI: https://doi.org/10.1353/boc.1989.0026
  5. restricted access
  1. The Mind and Art of Calderón: Essays on the Comedias (review)
  2. Thomas A. O'Connor
  3. pp. 237-239
  4. DOI: https://doi.org/10.1353/boc.1989.0028
  5. restricted access
  1. El anzuelo de Fenisa. Fenisa's Hook, or Fenisa the Hooker (review)
  2. D. W. Cruickshank
  3. pp. 240-242
  4. DOI: https://doi.org/10.1353/boc.1989.0013
  5. restricted access
  1. Antonio Enriquez Gomez (review)
  2. Alan Soons
  3. pp. 242-246
  4. DOI: https://doi.org/10.1353/boc.1989.0016
  5. restricted access
  1. Chamizal '89*
  2. Theodore S. Beardsley Jr.
  3. pp. 247-249
  4. DOI: https://doi.org/10.1353/boc.1989.0019
  5. restricted access
  1. Bibliography of Publications on the Comedia (1988-1989)
  2. Szilvia E. Szmuk, David J. Billick, Cory A. Reed, Ofelia L. Alayeto, Don W. Cruickshank, David H. Darst, Jessica A. Hadlow, John J. Reynolds, Jose Maria Ruano De La Haza
  3. pp. 251-324
  4. DOI: https://doi.org/10.1353/boc.1989.0022
  5. restricted access
  1. Index
  3. pp. 325-333
  4. DOI: https://doi.org/10.1353/boc.1989.0030
  5. restricted access
  1. Corrections to Vol. 40
  3. p. 334
  4. DOI: https://doi.org/10.1353/boc.1989.0031
  5. restricted access
  1. Periodical Sources of the Comediantes Bibliography: An Updated Checklist, 1988-1989
  2. John J. Reynolds, Szilvia E. Szmuk
  3. pp. 335-376
  4. DOI: https://doi.org/10.1353/boc.1989.0032
  5. restricted access
  1. El Mentidero de Comediantes
  3. pp. 377-381
  4. DOI: https://doi.org/10.1353/boc.1989.0025
  5. restricted access