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Table of Contents

  1. Structures and Social Structures in El Vizcaíno Fingido
  2. Carroll B. Johnson
  3. pp. 7-20
  4. DOI: https://doi.org/10.1353/boc.1989.0009
  5. restricted access
  1. Nota a una frase de El Burlador
  2. Alfred Rodríguez, Esteban Santaella
  3. pp. 37-43
  4. DOI: https://doi.org/10.1353/boc.1989.0000
  5. restricted access
  1. Una nota sobre la cazuela alta del Corral del Principe
  2. José M. Ruano De La Haza
  3. pp. 45-49
  4. DOI: https://doi.org/10.1353/boc.1989.0002
  5. restricted access
  1. La risa festiva en el gracioso de Lope de Vega
  2. Myra Gann
  3. pp. 51-74
  4. DOI: https://doi.org/10.1353/boc.1989.0004
  5. restricted access
  1. Unity in Dichotomy: The Fundamental Dualism of Calderón's Guárdate del agua mansa
  2. Christine J. Whitbourn
  3. pp. 75-87
  4. DOI: https://doi.org/10.1353/boc.1989.0006
  5. restricted access
  1. A Study of Staging and Scenic Effects in Two 'Comedias de Tramoyas' by Tirso de Molina
  2. Dawn L. Smith
  3. pp. 89-105
  4. DOI: https://doi.org/10.1353/boc.1989.0008
  5. restricted access
  1. Allegory and Diplomacy in Calderón's El lirio y la azucena
  2. Stephen Rupp
  3. pp. 107-125
  4. DOI: https://doi.org/10.1353/boc.1989.0010
  5. restricted access
  1. Segismundo: The Perfect Machiavellian Prince
  2. Alice Homstad
  3. pp. 127-139
  4. DOI: https://doi.org/10.1353/boc.1989.0012
  5. restricted access
  1. In Defense of Segismundo
  2. Dian Fox
  3. pp. 141-154
  4. DOI: https://doi.org/10.1353/boc.1989.0001
  5. restricted access
  1. Essays on Comedy and the Gracioso in Plays by Agustín Moreto (review)
  2. Frank P. Casa
  3. pp. 155-156
  4. DOI: https://doi.org/10.1353/boc.1989.0003
  5. restricted access
  1. The Interludes (Los Pasos) (review)
  2. Michael McGaha
  3. pp. 156-157
  4. DOI: https://doi.org/10.1353/boc.1989.0005
  5. restricted access
  1. Tyrannicide and Drama (review)
  2. Dian Fox
  3. pp. 158-160
  4. DOI: https://doi.org/10.1353/boc.1989.0007
  5. restricted access