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Table of Contents

  1. La funcion del simbolo en una comedia de Tirso (La venganza de Tamar)
  2. Juan O. Valencia
  3. pp. 1-5
  4. DOI: https://doi.org/10.1353/boc.1974.0003
  5. restricted access
  1. Was Gaspar Lucas Hidalgo the Godfather of Tirso de Molina?
  2. Henry W. Sullivan
  3. pp. 5-11
  4. DOI: https://doi.org/10.1353/boc.1974.0035
  5. restricted access
  1. Un verso de la Farsa Moral de Diego Sanchez
  2. Warren T. McCready
  3. pp. 12-13
  4. DOI: https://doi.org/10.1353/boc.1974.0029
  5. restricted access
  1. A Brief Biography of Antonio Mira de Amescua
  2. Karl C. Gregg
  3. pp. 14-22
  4. DOI: https://doi.org/10.1353/boc.1974.0023
  5. restricted access
  1. Calderon's La gran Cenobia: Source Play for La vida es sueno?
  2. Eleanor Jean Martin
  3. pp. 22-30
  4. DOI: https://doi.org/10.1353/boc.1974.0018
  5. restricted access
  1. On the Authorship of El encanto es la hermosura: A Curious Case of Dramatic Collaboration
  2. Thomas Austin O'Connor
  3. pp. 31-34
  4. DOI: https://doi.org/10.1353/boc.1974.0012
  5. restricted access
  1. La Comedia y sus intérpretes (review)
  2. Gerald E. Wade
  3. pp. 35-36
  4. DOI: https://doi.org/10.1353/boc.1974.0006
  5. restricted access
  1. Juan Ruiz de Alarcón (review)
  2. Henry W. Sullivan
  3. pp. 36-37
  4. DOI: https://doi.org/10.1353/boc.1974.0000
  5. restricted access
  1. Lucas Fernández (review)
  2. Rosalie Gimeno
  3. pp. 37-38
  4. DOI: https://doi.org/10.1353/boc.1974.0032
  5. restricted access
  1. Critical Essays on the Life and Work of Ruiz de Alarcón (review)
  2. Walter Poesse
  3. p. 39
  4. DOI: https://doi.org/10.1353/boc.1974.0014
  5. restricted access
  1. Minutes of the 1973 Meeting of the Comediantes
  2. James A. Parr
  3. pp. 40-41
  4. DOI: https://doi.org/10.1353/boc.1974.0020
  5. restricted access
  1. El Mentidero de Comediantes
  3. pp. 41-42
  4. DOI: https://doi.org/10.1353/boc.1974.0026
  5. restricted access