- Annual Bibliography of Works About Life Writing, 2008–2009
Memoir begins not with event but with the intuition of meaning—with the mysterious fact that life can sometimes step free from the chaos of contingency and become story.
—Sven Birkerts
Memory has multiple truths, so to judge a memory by only limited criteria amounts to cutting entangled threads with scissors. If we do this, we will lose the threads of the memory.
—Hyunah Yang
Books
Nineteenth century life writing by and about US women writers reveals an emerging discourse of privacy opposing increasing forces of market capitalism and commodification.
Angelou reflects that she “gave birth to one child, a son,” but that she has “thousands of daughters” of every racial and ethnic background.
This book “takes as its guiding theme two philosophical questions: ‘Who am I?’ and ‘How should I live?’ These questions cannot be considered in isolation from each other.”
Explores the political and ethical status of photography by focusing on the power relations that sustain and make possible photographic meanings.
Different tellings of the story of Joseph and Potiphar’s wife complicate our readings of the story, and shed light on the processes of canonization.
Interlocking representations of travel and drugs show how metaphors of mobility help conceptualize the experience of intoxication.
Unpublished letters and manuscripts complicate Seward’s carefully constructed narrative of her life.
Combs the book of Acts, the four canonical Gospels, and the writings of Josephus, Tacitus, and Pliny for the historical figure Christians later worshipped.
Through paired life narratives by women from different countries and traditions, focuses on testimonio, metafiction, and the family saga as the story of a nation.
Shows how biographers of women who write about earlier women rehearse and rewrite relationships to their own mothers.
Shows how to use diary methods and calendars to conduct life history research.
Thirty-six short accounts place early church fathers in their own and in contemporary contexts.
Introduces current issues, controversies, conventions, and directions in life writing, while demonstrating how biographical context can enrich the study of authors.
Argues that contemporary representations of the Holocaust in memoirs and other literary genres, films and photographs, museums, and political discourse exist at the intersection of remembrance and oblivion. [End Page 697]
For Birkerts, when memories start “coming in loud and clear” and seem to fall “into some new alignment” so as to take on meaning, the story that is memoir starts to emerge.
Analyzes four early modern Dutch diaries whose authors document their daily lives and recount their reading.
Critiques the implicit authority of witnessing to...