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In this Issue

Table of Contents

  1. Famous in Song and Story: Arthurian Legends in Heather Dale’s Music
  2. Ann F. Howey
  3. pp. 3-20
  4. DOI: https://doi.org/10.1353/art.2012.0022
  5. restricted access
  1. T.H. White, The Once and Future King, and the Scientific Method
  2. Jake La Jeunesse
  3. pp. 21-36
  4. DOI: https://doi.org/10.1353/art.2012.0024
  5. restricted access
  1. Castles and the Architecture of Gender in Malory’s ‘The Knight of the Cart’
  2. Molly Martin
  3. pp. 37-51
  4. DOI: https://doi.org/10.1353/art.2012.0026
  5. restricted access
  1. Geoffrey’s ‘Very Old Book’ and Penda of Mercia
  2. Edwin Pace
  3. pp. 53-74
  4. DOI: https://doi.org/10.1353/art.2012.0028
  5. restricted access
  1. Lost in the Woods: Grey Areas in Malory and the Stanzaic Morte Arthur
  2. Samantha J. Rayner
  3. pp. 75-84
  4. DOI: https://doi.org/10.1353/art.2012.0018
  5. restricted access
  1. An Archaic Tale-Type Determinant of Chrétien’s Fisher King and Grail
  2. William Sayers
  3. pp. 85-101
  4. DOI: https://doi.org/10.1353/art.2012.0020
  5. restricted access
  1. Sir Gawain and the Green Knight (review)
  2. Derek Pearsall
  3. pp. 104-106
  4. DOI: https://doi.org/10.1353/art.2012.0017
  5. restricted access
  1. Symbolic Caxton: Literary Culture and Print Capitalism (review)
  2. Paul J. Patterson
  3. pp. 107-108
  4. DOI: https://doi.org/10.1353/art.2012.0027
  5. restricted access
  1. The Tragedy of Arthur (review)
  2. Claire M. Busse
  3. pp. 108-109
  4. DOI: https://doi.org/10.1353/art.2012.0021
  5. restricted access
  1. Medieval Romance, Medieval Contexts (review)
  2. Nicole Clifton
  3. pp. 110-111
  4. DOI: https://doi.org/10.1353/art.2012.0023
  5. restricted access
  1. Merlin, un myth médiéval recyclé dans la production culturelle contemporaine (review)
  2. Stephen Knight
  3. pp. 111-113
  4. DOI: https://doi.org/10.1353/art.2012.0025
  5. restricted access