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Table of Contents

  1. In This Issue
  2. DOI: https://doi.org/10.1353/hcs.2011.0097
  3. restricted access
  1. The Hispanic Post-Colonial Tourist
  2. Jaume Martí-Olivella
  3. pp. 23-42
  4. DOI: https://doi.org/10.1353/hcs.2011.0135
  5. restricted access
  1. Bigas Luna's Huevos de oro: Regional Art, Global Commerce
  2. Marvin A. D'Lugo
  3. pp. 63-75
  4. DOI: https://doi.org/10.1353/hcs.2011.0052
  5. restricted access
  1. The Dirty Realism of Enrique Medina
  2. David William Foster
  3. pp. 77-96
  4. DOI: https://doi.org/10.1353/hcs.2011.0071
  5. restricted access
  1. The Fascist Narrative of Concha Espina
  2. Michael Ugarte
  3. pp. 97-114
  4. DOI: https://doi.org/10.1353/hcs.2011.0089
  5. restricted access
  1. Del rosa al negro: subtextos culturales en La flor de mi secreto
  2. José F. Colmeiro
  3. pp. 115-128
  4. DOI: https://doi.org/10.1353/hcs.2011.0108
  5. restricted access
  1. "La República va al doctor": síntomas de la Guerra Civil en tres películas de Carlos Saura
  2. Margarita Pillado-Miller
  3. pp. 129-140
  4. DOI: https://doi.org/10.1353/hcs.2011.0127
  5. restricted access
  1. Rock and Revolution: An Interview with El Vez, the Mexican Elvis
  2. Susan Larson
  3. pp. 141-152
  4. DOI: https://doi.org/10.1353/hcs.2011.0146
  5. restricted access
  1. About Our Featured Artist: Antonio Bueno, Fotógrafo
  2. pp. 199-200
  3. DOI: https://doi.org/10.1353/hcs.2011.0082
  4. restricted access
  1. The Anthropological Imagination in Latin American Literature (review)
  2. Javier Durán
  3. pp. 201-203
  4. DOI: https://doi.org/10.1353/hcs.2011.0101
  5. restricted access
  1. Perspectives in Mexican American Studies: Mexican American Women Changing Images (review)
  2. Adriana Estill
  3. pp. 204-205
  4. DOI: https://doi.org/10.1353/hcs.2011.0120
  5. restricted access
  1. Post-totalitarian Fiction (review)
  2. William M. Sherzer
  3. pp. 206-208
  4. DOI: https://doi.org/10.1353/hcs.2011.0139
  5. restricted access
  1. Disappearing Acts. Spectacles of Gender and Nationalism in Argentina's "Dirty War" (review)
  2. Charles M. Tatum
  3. pp. 209-211
  4. DOI: https://doi.org/10.1353/hcs.2011.0037
  5. restricted access
  1. Bulls, Bullfighting, and Spanish Identities (review)
  2. George P. Mansour
  3. pp. 214-215
  4. DOI: https://doi.org/10.1353/hcs.2011.0075
  5. restricted access
  1. Madrid 1900: The Capital as Cradle of Literature and Culture (review)
  2. Susan Larson
  3. pp. 216-217
  4. DOI: https://doi.org/10.1353/hcs.2011.0093
  5. restricted access
  1. Women Writing Women: An Anthology of Spanish-American Theater of the 1980s (review)
  2. Héctor Contreras
  3. pp. 218-219
  4. DOI: https://doi.org/10.1353/hcs.2011.0112
  5. restricted access
  1. Refiguring Spain. Cinema/Media/Representation (review)
  2. Malcolm Alan Compitello
  3. pp. 220-222
  4. DOI: https://doi.org/10.1353/hcs.2011.0131
  5. restricted access
  1. Theory of History in Ortega y Gasset: The Dawn of Historical Reason (review)
  2. Alvaro A. Ayo
  3. pp. 223-224
  4. DOI: https://doi.org/10.1353/hcs.2011.0029
  5. restricted access
  1. The Mapping of New Spain: Indigenous Cartography of the Relaciones Geográficas (review)
  2. Amy S. George
  3. pp. 225-226
  4. DOI: https://doi.org/10.1353/hcs.2011.0048
  5. restricted access
  1. Structures of Power: Essays on Twentieth-Century Spanish-American Fiction (review)
  2. Cynthia L. Palmer
  3. pp. 227-228
  4. DOI: https://doi.org/10.1353/hcs.2011.0067
  5. restricted access

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Volume 2, 1998