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Table of Contents

  1. Portrait of the Artist as a Figure of Style: P.L.I.N.Y's Letters
  2. John Henderson
  3. pp. 115-125
  4. DOI: https://doi.org/10.1353/are.2003.0012
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  1. "Insincerity," "Facts," and "Epistolarity": Approaches to Pliny's Epistles to Calpurnia
  2. Anna De Pretis
  3. pp. 127-146
  4. DOI: https://doi.org/10.1353/are.2003.0017
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  1. Otium as Luxuria : Economy of Status in the Younger Pliny's Letters
  2. Eleanor Winsor Leach
  3. pp. 147-165
  4. DOI: https://doi.org/10.1353/are.2003.0013
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  1. Pliny in Space (and Time)
  2. Andrew M. Riggsby
  3. pp. 167-186
  4. DOI: https://doi.org/10.1353/are.2003.0018
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  1. Pliny and the Art of Saying Nothing
  2. Ruth Morello
  3. pp. 187-209
  4. DOI: https://doi.org/10.1353/are.2003.0016
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  1. "Aliud est enim epistulam, aliud historiam. .. scribere" ( Epistles 6.16.22): Pliny the Historian?
  2. Rhiannon Ash
  3. pp. 211-225
  4. DOI: https://doi.org/10.1353/are.2003.0009
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  1. Pliny and Gloria Dicendi
  2. Roland Mayer
  3. pp. 227-234
  4. DOI: https://doi.org/10.1353/are.2003.0014
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  1. Pliny and the Art of (In)offensive Self-Praise
  2. Roy K. Gibson
  3. pp. 235-254
  4. DOI: https://doi.org/10.1353/are.2003.0011
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  1. Bibliography
  3. pp. 255-262
  4. DOI: https://doi.org/10.1353/are.2003.0008
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  1. Introduction
  2. Roy K. Gibson, Ruth Morello
  3. pp. 109-113
  4. DOI: https://doi.org/10.1353/are.2003.0015
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  1. Books Received
  3. pp. 263-265
  4. DOI: https://doi.org/10.1353/are.2003.0010
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