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In this Issue

Table of Contents

  1. The Man That Was Used Up: Poetry, Particularity, and the Politics of Remembering George Washington
  2. Max Cavitch
  3. pp. 247-274
  4. restricted access
  1. The Enclosure of America: Civilization and Confinement in Willa Cather's O Pioneers!
  2. Melissa Ryan
  3. pp. 275-303
  4. restricted access
  1. "Every One to His Trade": Mardi, Literary Form, and Professional Ideology
  2. John Evelev
  3. pp. 305-333
  4. restricted access
  1. "Spending for Vast Returns": Sex, Class, and Commerce in the First Leaves of Grass
  2. Andrew Lawson
  3. pp. 335-365
  4. restricted access
  1. A Queer Form of Trauma: Lesbian Epistolarity in Either Is Love
  2. Dona Yarbrough
  3. pp. 367-393
  4. restricted access
  1. Aunt Sue's Children: Re-viewing the Gender(ed) Politics of Richard Wright's Radicalism
  2. Cheryl Higashida
  3. pp. 395-425
  4. restricted access
  1. "Genius in Bondage": Literature of the Early Black Atlantic (review)
  2. Srinivas Aravamudan
  3. pp. 427-429
  4. restricted access
  1. The American Aeneas: Classical Origins of the American Self (review)
  2. Eric Ashley Hairston
  3. pp. 431-433
  4. restricted access
  1. Getting at the Author: Reimagining Books and Reading in the Age of American Realism (review)
  2. Stephanie Foote
  3. pp. 435-436
  4. restricted access
  1. Jack London's Women (review)
  2. Jeanne Campbell Reesman
  3. pp. 436-437
  4. restricted access
  1. Modernist Sexualities, and: Harold Monro: Poet of the New Age (review)
  2. Stanley S. Blair
  3. pp. 440-442
  4. restricted access
  1. American Women Writers and the Nazis: Ethics and Politics in Boyle, Porter, Stafford, and Hellman (review)
  2. Mary Ann Wilson
  3. pp. 444-445
  4. restricted access
  1. Autobiography as Activism: Three Black Women of the Sixties (review)
  2. Sharon Patricia Holland
  3. pp. 445-447
  4. restricted access
  1. Global Hollywood, and: The Language of New Media (review)
  2. Christina Klein
  3. pp. 456-458
  4. restricted access
  1. The Godfather and American Culture: How the Corleones Became "Our Gang", and: Class, Language, and American Film Comedy (review)
  2. Carlo Rotella
  3. pp. 458-460
  4. restricted access
  1. Brief Mention
  2. pp. 473-486
  3. restricted access