Index to Volume 128, 2007
Buy Issue for $25 at JHUPIndex to Volume 128, 2007
Part I: Subjects
Adamo, Mark, Lysistrata, or the Nude Goddess, 119–24
Aedes Herculis Musarum, 551–92
Agamemnon, in performance, 279–83
ambulatio, 497–532
Archytas of Tarentum, 133–37
aristocracy, and athletics, 125–29
Aristophanes, Lysistrata, 119–24
Aristophanic comedy, 431–35
art, in Homer and Vergil, 533–49
art history, invention of, in ancient Greece, 423–27
athletics, in Greece, 125–29
Augustan Rome, gender and domesticity in, 605–8
birds, as a topos in Callimachus, Hesiod, Pindar, 177–208
Callimachus, 177–208
Catullus, 1–26
children, in imperial Roman art, 289–92
Cicero, 343–49
Cicero, First Catilinarian, 335–39
construction of literature, in the Roman republic, 283–86
Cyclops scene, in Homer's Odyssey, 301–34
dining, posture in, in ancient Rome, 596–99
disgrace, in Roman politics, 599–604
early Greek poetry, 427–31
ecphrasis, in Homer and Vergil, 533–49
emotions, in ancient Rome, 137–41
ethnicity, in Eusebius, Praeparatio Evangelica, 95–118
Eusebius, Praeparatio Evangelica, 95–118
focalization, in Homer, 301–34
French reception of Latin texts, 341–65
frescoes, Roman, 497–532
Freudian slips, in Plautus, 209–37
generic interplay, in Juvenal, 389–418
Greek drama, in performance, 279–83
Greek identity, in Eusebius, Praeparatio Evangelica, 95–118
hetairai, in Lucian, Dialogues of the Courtesans, 59–94
Hesiod, Theogony, 153–75
Hesiod, Works and Days, 177–208
history, philosophic origins of, 593–95
Homer, Odyssey 8, 533–49
Homer, Odyssey 9, 301–34
invective, in Cicero, 335–39
Juno Moneta, at Rome, 551–92
Juvenal, consolatio, 30–35
Juvenal, Satires Book 5, 27–57
Juvenal, Satire 12, 389–418
Lessing, Laocoon, 451–57
Lucian, Dialogues of the Courtesans, 59–94
Lucian, Dialogues of the Courtesans, comedy in, 59–94
Martial and Juvenal, 389–418
memory, sanctions of, in ancient Rome, 599–604
Muses, at Rome, 551–92
Muses, in Hesiod, Theogony, 153–75
music, divine patrons of, at Rome, 551–92
Odyssey Landscapes, 497–532
opera, and Greek drama, 119–24
Ovid, Heroides, 286–89, 367–87
Penelope, in Ovid's Heroides and Homer's Odyssey, 367–87 [End Page 617]
philosophy and satire, 27–57
Pindar, 177–208
Pindar, victory odes, 125–29
Plato, 108–13
Plautus, 209–37
Plautus, Rudens, 209–37
Plautus, Trinummus, 209–37
Pliny the Younger, Book 10, correspondence with Trajan, 239–77
poetry, in the Roman republic, 283–86
poetry and friendship, in Juvenal, 389–418
Priapic poetry, 1–26
Priapus, 1–26
private life, in Augustan Rome, 605–8
prostitution, in antiquity, 419–23
puns, in Plautus, 209–37
reading and writing women, in Ovid, 286–89
repraesentare, in Latin literature, 341–65
Roman family, 605–8
Roman literary culture, 283–86
Roman satire and philosophy, 27–57
self-representation, in Pliny's letters, 239–77
[Seneca], Hercules Oetaeus, 446–51
Solon, 427–31
Sophocles, Philoctetes, 443–67
Sophocles, reception of, 443–67
Sophocles, representation of pain in, 443–67
Sophocles, Trachiniae, 443–67
Statius, Achilleid, 142–45
subjectivity, in Lucian, Dialogues of the Courtesans, 59–94
Thesaurus Linguae Latinae (TLL), 469–96
Thucydides, 593–95
Trajan, 239–77
transvestism, and Achilles, in Statius Achilleid, 142–45
truth and lies, in Hesiod, Theogony, 153–75
Valerius Maximus, 355–58
values, contrasting, in Homer, 301–34
Velleius Paterculus, 351–54
Vergil, Aeneid 1, 533–49
wandering, in ancient Greece, 129–32 [End Page 618]
Part II: Authors of Articles and Reviews
Beck, Deborah. Ecphrasis, Interpretation, and Audience in Aeneid 1 and Odyssey 8 533–49
Bernstein, Neil W. Review of The Transvestite Achilles: Gender and Genre in Statius' Achilleid by P. J. Heslin 142–45
Budelmann, Felix. The Reception of Sophocles' Representation of Physical Pain 443–67
Christesen, Paul. Review of Aristocracy and Athletics in Archaic and Classical Greece by Nigel James Nicholson 125–29
Corbeill, Anthony. "Going Forward": A Diachronic Analysis of the Thesaurus Linguae Latinae 469–96
Craig, Christopher. Self-restraint, Invective, and Credibility in Cicero's First Catilinarian Oration 335–39
Damon, Cynthia. Review of The Art of...
