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In this Issue

Table of Contents

  1. The Book Ladder
  2. Jeffrey R. Di Leo
  3. p. 2
  4. DOI: https://doi.org/10.1353/abr.0.0043
  5. restricted access
  1. Introdution to Focus: Top 40 Bad Books
  3. p. 3
  4. DOI: https://doi.org/10.1353/abr.0.0059
  5. restricted access
  1. A Spectre Haunts Bad Novels
  2. Eyal Amiran
  3. p. 3
  4. DOI: https://doi.org/10.1353/abr.0.0073
  5. restricted access
  1. Revolutionary Road
  2. Sean Bernard
  3. p. 3
  4. DOI: https://doi.org/10.1353/abr.0.0080
  5. restricted access
  1. Bad Books
  2. R.M. Berry
  3. pp. 3-4
  4. DOI: https://doi.org/10.1353/abr.0.0066
  5. restricted access
  1. The Effort of Bad Writing
  2. Michael Bérubé
  3. p. 4
  4. DOI: https://doi.org/10.1353/abr.0.0086
  5. restricted access
  1. A Failed Hit Job
  2. Marc Bousquet
  3. p. 4
  4. DOI: https://doi.org/10.1353/abr.0.0050
  5. restricted access
  1. Academic Standards
  2. Nicholas Brown
  3. p. 4
  4. DOI: https://doi.org/10.1353/abr.0.0056
  5. restricted access
  1. A Bad Book
  2. Terry Caesar
  3. p. 4
  4. DOI: https://doi.org/10.1353/abr.0.0063
  5. restricted access
  1. The Bad Staggers On
  2. John Domini
  3. p. 4
  4. DOI: https://doi.org/10.1353/abr.0.0070
  5. restricted access
  1. Very Baad Books
  2. David B. Downing
  3. p. 5
  4. DOI: https://doi.org/10.1353/abr.0.0077
  5. restricted access
  1. Dildo Cay
  2. Jonathan P. Eburne
  3. p. 5
  4. DOI: https://doi.org/10.1353/abr.0.0084
  5. restricted access
  1. Tipping Point of Badness
  2. Amy J. Elias
  3. p. 5
  4. DOI: https://doi.org/10.1353/abr.0.0054
  5. restricted access
  1. A Species of Sorryness
  2. Dagoberto Gilb
  3. p. 5
  4. DOI: https://doi.org/10.1353/abr.0.0061
  5. restricted access
  1. A Taste for Quarantine
  2. Gerald Graff
  3. pp. 5-6
  4. DOI: https://doi.org/10.1353/abr.0.0048
  5. restricted access
  1. Romance for Men
  2. Christine Granados
  3. p. 6
  4. DOI: https://doi.org/10.1353/abr.0.0068
  5. restricted access
  1. Suspect
  2. Carol Guess
  3. p. 6
  4. DOI: https://doi.org/10.1353/abr.0.0075
  5. restricted access
  1. Buckets of Peanut Butter
  2. Kim Herzinger
  3. p. 6
  4. DOI: https://doi.org/10.1353/abr.0.0082
  5. restricted access
  1. Failed Expectations
  2. Walter R. Jacobs
  3. pp. 6-7
  4. DOI: https://doi.org/10.1353/abr.0.0088
  5. restricted access
  1. Setting a Bad Example
  2. Steven G. Kellman
  3. p. 7
  4. DOI: https://doi.org/10.1353/abr.0.0052
  5. restricted access
  1. Heartbreaking
  2. Judith Kitchen
  3. p. 7
  4. DOI: https://doi.org/10.1353/abr.0.0058
  5. restricted access
  1. Gatsby
  2. Tom LeClair
  3. p. 7
  4. DOI: https://doi.org/10.1353/abr.0.0072
  5. restricted access
  1. Walking Hypothesis
  2. Sue-Im Lee
  3. p. 7
  4. DOI: https://doi.org/10.1353/abr.0.0079
  5. restricted access
  1. Teaching Bad Books
  2. Sophia A. McClennen
  3. pp. 7-8
  4. DOI: https://doi.org/10.1353/abr.0.0065
  5. restricted access
  1. Realistic Exhaustion
  2. John McGowan
  3. p. 8
  4. DOI: https://doi.org/10.1353/abr.0.0085
  5. restricted access
  1. On Being Bad
  2. Brian McHale
  3. p. 8
  4. DOI: https://doi.org/10.1353/abr.0.0055
  5. restricted access
  1. Classic Bad Books
  2. Paul Allen Miller
  3. p. 8
  4. DOI: https://doi.org/10.1353/abr.0.0062
  5. restricted access
  1. Textual Snowflakes
  2. Daniel T. O'Hara
  3. p. 9
  4. DOI: https://doi.org/10.1353/abr.0.0069
  5. restricted access
  1. Ending Badly
  2. William A. O'Rourke
  3. p. 9
  4. DOI: https://doi.org/10.1353/abr.0.0083
  5. restricted access
  1. Poetic Throwback
  2. Marjorie Perloff
  3. pp. 9-10
  4. DOI: https://doi.org/10.1353/abr.0.0076
  5. restricted access
  1. Engaged Literature
  2. John D. Pizer
  3. p. 10
  4. DOI: https://doi.org/10.1353/abr.0.0047
  5. restricted access
  1. Partial Badness
  2. James Phelan
  3. p. 10
  4. DOI: https://doi.org/10.1353/abr.0.0053
  5. restricted access
  1. Zombie Mayhem
  2. Liedeke Plate
  3. p. 10
  4. DOI: https://doi.org/10.1353/abr.0.0067
  5. restricted access
  1. The Temptation of Saint Anthony
  2. Martin Riker
  3. p. 10
  4. DOI: https://doi.org/10.1353/abr.0.0074
  5. restricted access
  1. The Good, the Bad, and the Ugly
  2. Kyle Schlesinger
  3. pp. 10-11
  4. DOI: https://doi.org/10.1353/abr.0.0060
  5. restricted access
  1. The Uniqueness of Badness
  2. Davis Schneiderman
  3. p. 11
  4. DOI: https://doi.org/10.1353/abr.0.0081
  5. restricted access
  1. The Witches' Hammer
  2. James J. Sosnoski
  3. p. 11
  4. DOI: https://doi.org/10.1353/abr.0.0087
  5. restricted access
  1. The Novel That Doesn't Know
  2. Robyn Warhol-Down
  3. p. 11
  4. DOI: https://doi.org/10.1353/abr.0.0051
  5. restricted access
  1. Posthumous Juvenilia
  2. Regina Weinreich
  3. p. 11
  4. DOI: https://doi.org/10.1353/abr.0.0057
  5. restricted access
  1. Medieval Marketing
  2. Bonnie Wheeler
  3. p. 12
  4. DOI: https://doi.org/10.1353/abr.0.0064
  5. restricted access
  1. To Rescue Bad Books
  2. Zahi Zalloua
  3. p. 12
  4. DOI: https://doi.org/10.1353/abr.0.0071
  5. restricted access
  1. Sturdy Scandinavian Women
  2. Myrdene Anderson
  3. pp. 13-14
  4. DOI: https://doi.org/10.1353/abr.0.0012
  5. restricted access
  1. Greenlandic Armageddon
  2. Dinda L. Gorlée
  3. pp. 14-15
  4. DOI: https://doi.org/10.1353/abr.0.0019
  5. restricted access
  1. Estonian Vamps
  2. Jeff Bursey
  3. p. 15
  4. DOI: https://doi.org/10.1353/abr.0.0026
  5. restricted access
  1. Simultaneous Role Playing
  2. Laird Hunt
  3. p. 16
  4. DOI: https://doi.org/10.1353/abr.0.0033
  5. restricted access
  1. The Exhaustibility of the Body
  2. Kass Fleisher
  3. pp. 17-18
  4. DOI: https://doi.org/10.1353/abr.0.0040
  5. restricted access
  1. The Actor, Humbled
  2. Yevgeniya Traps
  3. pp. 18-19
  4. DOI: https://doi.org/10.1353/abr.0.0002
  5. restricted access
  1. Meant to Survive
  2. Alexis Pauline Gumbs
  3. pp. 19-20
  4. DOI: https://doi.org/10.1353/abr.0.0010
  5. restricted access
  1. Ground Zero
  2. Jim Ruland
  3. pp. 20-21
  4. DOI: https://doi.org/10.1353/abr.0.0017
  5. restricted access
  1. A Myth is a Myth
  2. Vilmos Voigt
  3. pp. 21-22
  4. DOI: https://doi.org/10.1353/abr.0.0024
  5. restricted access
  1. Waist Deep
  2. Jonathan Liebson
  3. pp. 22-23
  4. DOI: https://doi.org/10.1353/abr.0.0031
  5. restricted access
  1. Teenage Stories
  2. Christine Granados
  3. p. 23
  4. DOI: https://doi.org/10.1353/abr.0.0038
  5. restricted access
  1. Next of Kin
  2. Gerard J. van den Broek
  3. pp. 24-25
  4. DOI: https://doi.org/10.1353/abr.0.0046
  5. restricted access
  1. The Trouble of Influence
  2. Mark Wallace
  3. pp. 25-26
  4. DOI: https://doi.org/10.1353/abr.0.0007
  5. restricted access
  1. Hometown Anonymity
  2. Matt Bell
  3. p. 26
  4. DOI: https://doi.org/10.1353/abr.0.0014
  5. restricted access
  1. Immersed in the Delta
  2. CL Bledsoe
  3. p. 27
  4. DOI: https://doi.org/10.1353/abr.0.0021
  5. restricted access
  1. Positive Vibrations
  2. Frank Giampietro
  3. p. 28
  4. DOI: https://doi.org/10.1353/abr.0.0028
  5. restricted access
  1. Just You Wait
  2. Matthew Brennan
  3. p. 29
  4. DOI: https://doi.org/10.1353/abr.0.0035
  5. restricted access
  1. Rendering the Monstrous Moot
  2. Haines Eason
  3. pp. 29-30
  4. DOI: https://doi.org/10.1353/abr.0.0042
  5. restricted access
  1. Scenes: Blazevox [books]: an interview with Geoffrey Gatza
  2. Geoffrey Gatza
  3. p. 31
  4. DOI: https://doi.org/10.1353/abr.0.0004
  5. restricted access
  1. An Idiomatic Inferno
  2. Christian Moraru
  3. pp. 8-9>
  4. DOI: https://doi.org/10.1353/abr.0.0049
  5. restricted access