About this Journal
- Camera Obscura
- Journal
-
Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers to the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream.
published by
Duke University PressAvailable Issues
Archived 2005Vol. 15 (2000) - vol. 19 (2004)
Table of Contents
Volume 19, 2004 (55-57)
Volume 18, 2003 (52-54)
Volume 17, 2002 (49-51)
Volume 16, 2001 (46-48)
Volume 15, 2000 (43-45)
Additional Information
Additional Materials
Additional Issue Materials
- Editorial Board -- 57 (Volume 19, Number 3), 2004
- Editorial Board -- 56 (Volume 19, Number 2), 2004
- Editorial Board -- 55 (Volume 19, Number 1), 2004
- Editorial Board -- 54 (Volume 18, Number 3), 2003
- Editorial Board -- 53 (Volume 18, Number 2), 2003
- Editorial Board -- 52 (Volume 18, Number 1), 2003
- Editorial Board -- 51 (Volume 17, Number 3), 2002
- Editorial Board -- 50 (Volume 17, Number 2), 2002
- Editorial Board -- 49 (Volume 17, Number 1), 2002
- Editorial Board -- 48 (Volume 16, Number 3), 2001
- Editorial Board -- 47 (Volume 16, Number 2), 2001
- Editorial Board -- 46 (Volume 16, Number 1), 2001
- Editorial Board -- 45 (Volume 15, Number 3), 2000
- Editorial Board -- 44 (Volume 15, Number 2), 2000
- Editorial Board -- 43 (Volume 15, Number 1), 2000
Project MUSE Mission
Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves.
