1. Writing a Feminine Paris in Jean Rhys's Quartet
  2. Richard E. Zeikowitz
  3. pp. 1-17
  4. DOI: 10.1353/jml.2005.0034
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  1. Economies and Desire: Gifts and the Market in "Moments of Being: 'Slater's Pins Have No Points'"
  2. Kathryn Simpson
  3. pp. 18-37
  4. DOI: 10.1353/jml.2005.0033
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  1. Virginia Woolf Tracing Patterns through Plato's Forms
  2. Lorraine Sim
  3. pp. 38-48
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  1. With Sabbath Eyes: The Particular and the Claims of History in Elizabeth Bishop's "Poem"
  2. Harold Schweizer
  3. pp. 49-60
  4. DOI: 10.1353/jml.2005.0031
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  1. Elizabeth Bishop and the Miniature Museum
  2. Susan Rosenbaum
  3. pp. 61-99
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  1. Tracking the Thought-Fox: Sylvia Plath's Revision of Ted Hughes
  2. Heather L. Clark
  3. pp. 100-112
  4. DOI: 10.1353/jml.2005.0025
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  1. Legacy of Dysfunction: Family Systems in Zora Neale Hurston's Jonah's Gourd Vine
  2. John F. Kanthak
  3. pp. 113-129
  4. DOI: 10.1353/jml.2005.0029
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  1. The Daimon Archives: Jane Harrison and the Afterlife of Dead Languages
  2. Shanyn Fiske
  3. pp. 130-164
  4. DOI: 10.1353/jml.2005.0027
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  1. "Nothing Else Left to Read": Poetry and Audience in Adrienne Rich's "An Atlas of the Difficult World"
  2. Piotr Gwiazda
  3. pp. 165-188
  4. DOI: 10.1353/jml.2005.0028
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  1. Domestic Landscapes
  2. Paula Marantz Cohen
  3. pp. iv-vi
  4. DOI: 10.1353/jml.2005.0026
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