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Table of Contents

  1. Percival Everett: A Special Section
  2. DOI: https://doi.org/10.1353/cal.2005.0043
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  1. Miss Baby, O Lovely and Dark (as Told to Mr. J.C. Harris)
  2. Honoree Fanonne Jeffers
  3. pp. 265-271
  4. DOI: https://doi.org/10.1353/cal.2005.0046
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  1. Why I Hate Alaska
  2. Mat Johnson
  3. pp. 272-279
  4. DOI: https://doi.org/10.1353/cal.2005.0047
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  1. Barbershop Quartet
  2. Jeffery Renard Allen
  3. pp. 280-288
  4. DOI: https://doi.org/10.1353/cal.2005.0036
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  1. Editor's Note
  2. James R. Kincaid
  3. p. 291
  4. DOI: https://doi.org/10.1353/cal.2005.0049
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  1. My Friend, Percival
  2. Michael Knight
  3. pp. 292-296
  4. DOI: https://doi.org/10.1353/cal.2005.0052
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  1. The Fabulous Destiny of Rosendo y Mauricio, or, Between (Good) Sense and Making Sense
  2. Claude Julien
  3. pp. 297-303
  4. DOI: https://doi.org/10.1353/cal.2005.0048
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  1. Detecting the Real Fictions of History in Watershed
  2. William R. Handley
  3. pp. 305-312
  4. DOI: https://doi.org/10.1353/cal.2005.0044
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  1. Undoing and Redoing the Western
  2. Leland Krauth
  3. pp. 313-327
  4. DOI: https://doi.org/10.1353/cal.2005.0053
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  1. Frenzy
  2. Fiona McCrae
  3. pp. 328-329
  4. DOI: https://doi.org/10.1353/cal.2005.0055
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  1. Knowing Percival
  2. Carl Phillips
  3. pp. 330-332
  4. DOI: https://doi.org/10.1353/cal.2005.0057
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  1. Percival Everett: American Visual Artist
  2. Percival L. Everett
  3. pp. 333-342
  4. DOI: https://doi.org/10.1353/cal.2005.0045
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  1. A Note on God's Country
  2. Madison Smartt Bell
  3. pp. 343-344
  4. DOI: https://doi.org/10.1353/cal.2005.0038
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  1. 'A Self-Referential Density': Glyph and the 'Theory' Thing
  2. Julian Wolfreys
  3. pp. 345-357
  4. DOI: https://doi.org/10.1353/cal.2005.0061
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  1. Race Under Erasure
  2. Margaret Russett
  3. pp. 358-368
  4. DOI: https://doi.org/10.1353/cal.2005.0059
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  1. Collaborating with the Sphinx: On Strom
  2. James R. Kincaid
  3. pp. 369-371
  4. DOI: https://doi.org/10.1353/cal.2005.0050
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  1. Percival
  2. Clarence Major
  3. pp. 373-374
  4. DOI: https://doi.org/10.1353/cal.2005.0054
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  1. Book Signing
  2. Joseph A. Dane
  3. pp. 375-376
  4. DOI: https://doi.org/10.1353/cal.2005.0042
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  1. An Interview with Percival Everett
  2. James R. Kincaid, Percival L. Everett
  3. pp. 377-381
  4. DOI: https://doi.org/10.1353/cal.2005.0051
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  1. Salt
  2. Rosanna Armendariz
  3. pp. 382-387
  4. DOI: https://doi.org/10.1353/cal.2005.0037
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  1. A Memory: An excerpt from The Breaking Point
  2. Chioma Okereke
  3. pp. 388-392
  4. DOI: https://doi.org/10.1353/cal.2005.0056
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  1. God's Blessings
  2. Ada Obi Udechukwu
  3. pp. 393-402
  4. DOI: https://doi.org/10.1353/cal.2005.0060
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  1. Singing for the Cardinal: An Excerpt from The Professor's Daughter
  2. Emily Raboteau
  3. pp. 403-424
  4. DOI: https://doi.org/10.1353/cal.2005.0058
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  1. What it Means When We Say 'Creole:' an Interview with Salikoko S. Mufwene
  2. Michael Collins, Salikoko S. Mufwene
  3. pp. 425-462
  4. DOI: https://doi.org/10.1353/cal.2005.0040
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  1. Percival Everett Bibliography
  2. James R. Kincaid
  3. p. 463
  4. DOI: https://doi.org/10.1353/cal.2005.0039
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  1. Contributors
  2. pp. 464-466
  3. DOI: https://doi.org/10.1353/cal.2005.0041
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