In this Issue
Early Music is a stimulating and richly illustrated journal, and is unrivalled in its field. Founded in 1973, it remains the journal for anyone interested in early music and how it is being interpreted today. Contributions from scholars and performers on international standing explore every aspect of earlier musical repertoires, present vital new evidence for our understanding of the music of the past, and tackle controversial issues of performance practice.
Each issue is beautifully illustrated and contains a wide range of articles on performance practice, iconography, sources, instruments and many other aspects of the historical context for a given work or repertory. Some issues are dedicated to a particular theme to mark the anniversary of a composer or to explore an otherwise uncharted territory, such as the music of the New World or the early musical traditions of non-Western cultures.
published by
Oxford University Pressviewing issue
Volume 33, Number 2, May 2005Table of Contents
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View From dissonance to note-cluster: the application of musical-rhetorical figures and dissonances to thoroughbass accompaniment of early 17th-century Italian vocal solo music
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From dissonance to note-cluster: the application of musical-rhetorical figures and dissonances to thoroughbass accompaniment of early 17th-century Italian vocal solo music
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Observation
Performing Matters
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View Johann Mattheson--the Russian connection: the rediscovery of Boris Goudenow and his other lost operas
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Johann Mattheson--the Russian connection: the rediscovery of Boris Goudenow and his other lost operas
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Review Articles
Book Reviews
Music Reviews
Recording Reviews
Obituaries
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| ISSN | 1741-7260 |
|---|---|
| Print ISSN | 0306-1078 |
| Launched on MUSE | 2005-06-15 |
| Open Access | No |
| Archive Status | Archived 2008 |
Copyright
Copyright © 2005 Oxford University Press.
