1. Is it You? Recognition, Representation and Response in Relation to the Local Film
  2. Vanessa Toulmin, Martin Loiperdinger
  3. pp. 7-18
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  1. Global versus Local: The Case of Pathe
  2. Marina Dahlquist
  3. pp. 29-38
  4. DOI: 10.1353/fih.2005.0002
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  1. Trading Places: Griffith, Patten and Agricultural Modernity
  2. Jan Olsson
  3. pp. 39-65
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  1. Local Views, Distant Scenes: Registering Affect in Surviving Mexican Actuality Films of the 1920s
  2. John Fullerton, Elaine King
  3. pp. 66-87
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  1. Reform and Entertainment: Film Exhibition and Leisure in a Small Town in Sweden at the End of the Nineteenth Century
  2. Asa Jernudd
  3. pp. 88-105
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  1. Cutting Bordello Scenes and Dances: Local Regulation and Film Censorship in Norway before 1913
  2. Gunnar Iversen
  3. pp. 106-112
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  1. From the Buzzard's Roost: Black Movie-going in Durham and Other North Carolina Cities during the Early Period of American Cinema
  2. Charlene B. Regester
  3. pp. 113-124
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  1. To Stockholm, with Love: The Critical Reception of Josephine Baker, 1927-35
  2. Ylva Habel
  3. pp. 125-138
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  1. A Curly Top, a Royal Engagement and a Local Bylaw: Cinema Exhibition and Innovation in Utrecht in 1936
  2. Bert Hogenkamp
  3. pp. 139-147
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  1. 'That pleasant feeling of peaceful coziness': Cinema Exhibition in a Dutch Mining District during the Inter-war Period
  2. Thunnis van Oort
  3. pp. 148-159
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  1. Introduction: Local Film
  2. John Fullerton
  3. pp. 3-6
  4. DOI: 10.1353/fih.2005.0004
  5. free access View | Download |
  1. Local Films from Trier, Luxembourg and Metz: A Successful Business Venture of the Marzen Family, Cinema Owners
  2. Brigitte Braun, Uli Jung
  3. pp. 19-XX28
  4. free access View | Download |