In this Issue

Table of Contents

Is it You? Recognition, Representation and Response in Relation to the Local Film

Vanessa Toulmin, Martin Loiperdinger
pp. 7-18
DOI: https://doi.org/10.2979/fil.2005.17.1.7
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Global versus Local: The Case of Pathe

Marina Dahlquist
pp. 29-38
DOI: https://doi.org/10.1353/fih.2005.0002
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Trading Places: Griffith, Patten and Agricultural Modernity

Jan Olsson
pp. 39-65
DOI: https://doi.org/10.1353/fih.2005.0009
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Local Views, Distant Scenes: Registering Affect in Surviving Mexican Actuality Films of the 1920s

John Fullerton, Elaine King
pp. 66-87
DOI: https://doi.org/10.2979/fil.2005.17.1.66
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Reform and Entertainment: Film Exhibition and Leisure in a Small Town in Sweden at the End of the Nineteenth Century

Asa Jernudd
pp. 88-105
DOI: https://doi.org/10.1353/fih.2005.0008
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Cutting Bordello Scenes and Dances: Local Regulation and Film Censorship in Norway before 1913

Gunnar Iversen
pp. 106-112
DOI: https://doi.org/10.2979/fil.2005.17.1.106
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From the Buzzard's Roost: Black Movie-going in Durham and Other North Carolina Cities during the Early Period of American Cinema

Charlene B. Regester
pp. 113-124
DOI: https://doi.org/10.2979/fil.2005.17.1.113
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To Stockholm, with Love: The Critical Reception of Josephine Baker, 1927-35

Ylva Habel
pp. 125-138
DOI: https://doi.org/10.1353/fih.2005.0003
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A Curly Top, a Royal Engagement and a Local Bylaw: Cinema Exhibition and Innovation in Utrecht in 1936

Bert Hogenkamp
pp. 139-147
DOI: https://doi.org/10.2979/fil.2005.17.1.139
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'That pleasant feeling of peaceful coziness': Cinema Exhibition in a Dutch Mining District during the Inter-war Period

Thunnis van Oort
pp. 148-159
DOI: https://doi.org/10.1353/fih.2005.0010
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Introduction: Local Film

John Fullerton
pp. 3-6
DOI: https://doi.org/10.1353/fih.2005.0004
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Local Films from Trier, Luxembourg and Metz: A Successful Business Venture of the Marzen Family, Cinema Owners

Brigitte Braun, Uli Jung
pp. 19-XX28
DOI: https://doi.org/10.1353/fih.2005.0001
free access