In this Issue

Table of Contents

Daniil Kharms, the Hunger Artist: Toward Eden, and the Other Way Around

Branislav Jakovljevic
pp. 167-189
DOI: https://doi.org/10.1353/tj.2005.0065
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Bodies, Race, and Performance in Derek Walcott's A Branch of the Blue Nile

Joyce Green MacDonald
pp. 191-203
DOI: https://doi.org/10.1353/tj.2005.0069
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Performing Australian Identity: Gendering King Lear

Philippa Kelly
pp. 205-227
DOI: https://doi.org/10.1353/tj.2005.0067
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Reinserting Woman into Contemporary Chinese National Identity: A Comparative Reading of Three "New Immigrant" Plays from 1990s Shanghai

Hongjun Su
pp. 229-246
DOI: https://doi.org/10.1353/tj.2005.0043
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The Bind of Representation: Performing and Consuming Hypersexuality in Miss Saigon

Celine Parreñas Shimizu
pp. 247-265
DOI: https://doi.org/10.1353/tj.2005.0079
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The Fula from America: An African Journey (review)

Margaret Werry
pp. 267-268
DOI: https://doi.org/10.1353/tj.2005.0082
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Exits and Entrances, and: Nothing but the Truth (review)

Kevin J. Wetmore
pp. 269-272
DOI: https://doi.org/10.1353/tj.2005.0083
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Mindelact (review)

Eunice Ferreira
pp. 272-277
DOI: https://doi.org/10.1353/tj.2005.0060
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Operetta, and: The Marriage (review)

Helen E. Richardson
pp. 278-280
DOI: https://doi.org/10.1353/tj.2005.0076
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Theatrical Confrontations

Kimberly Jannarone
pp. 280-284
DOI: https://doi.org/10.1353/tj.2005.0066
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Hell Meets Henry Halfway (review)

Roger Babb
pp. 284-286
DOI: https://doi.org/10.1353/tj.2005.0045
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The Boy Like a Pinkie (review)

John Hofland
pp. 286-288
DOI: https://doi.org/10.1353/tj.2005.0062
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Theatertreffen Festival (review)

Klaus van den Berg
pp. 289-294
DOI: https://doi.org/10.1353/tj.2005.0048
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The Shaughraun (review)

Karen O'Brien
pp. 294-296
DOI: https://doi.org/10.1353/tj.2005.0071
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The Playboy of the Western World (review)

Deirdre O'Leary
pp. 296-298
DOI: https://doi.org/10.1353/tj.2005.0072
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4:48 Psychosis (review)

Steve Earnest
pp. 298-300
DOI: https://doi.org/10.1353/tj.2005.0058
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The Bay at Nice (review)

Miriam M. Chirico
pp. 300-303
DOI: https://doi.org/10.1353/tj.2005.0052
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Stuff Happens (review)

Janelle G. Reinelt
pp. 303-306
DOI: https://doi.org/10.1353/tj.2005.0075
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Rage is Not a 1-Day Thing!: The Untaught History of the Montgomery Bus Boycott (review)

Raina S. Ames
pp. 306-308
DOI: https://doi.org/10.1353/tj.2005.0044
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The Glass Menagerie (review)

Brett Ashley Crawford
pp. 308-311
DOI: https://doi.org/10.1353/tj.2005.0056
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Oedipus (review)

Owen Edward Brady
pp. 311-313
DOI: https://doi.org/10.1353/tj.2005.0049
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Hamlet (review)

Fatma Necla Cikigil
pp. 313-315
DOI: https://doi.org/10.1353/tj.2005.0053
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The Dog in the Manger, and: Tamar's Revenge, and: House of Desires (review)

David Pasto
pp. 315-318
DOI: https://doi.org/10.1353/tj.2005.0074
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A Short History of Western Performance Space

D. J. Hopkins
pp. 319-320
DOI: https://doi.org/10.1353/tj.2005.0063
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Land/Scape/Theater (review)

Joshua Abrams
pp. 320-321
DOI: https://doi.org/10.1353/tj.2005.0041
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Shakespeare in Canada: A World Elsewhere? (review)

Jenn Stephenson
pp. 322-323
DOI: https://doi.org/10.1353/tj.2005.0080
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Theater sans frontieres: Essays on the Dramatic Universe of Robert Lepage, and: The Theatre of Form and the Production of Meaning: Contemporary Canadian Dramaturgies (review)

Bruce Barton
pp. 323-325
DOI: https://doi.org/10.1353/tj.2005.0047
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Redressing the Past: The Politics of Early English-Canadian Women's Drama, 1880-1920 (review)

Meghan Brodie
pp. 325-327
DOI: https://doi.org/10.1353/tj.2005.0050
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Marlowe and the Popular Tradition: Innovation in the English Drama Before 1595 (review)

Julie Jackson
pp. 327-328
DOI: https://doi.org/10.1353/tj.2005.0064
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Looking for Sex in Shakespeare (review)

Jeff Wax
pp. 328-329
DOI: https://doi.org/10.1353/tj.2005.0081
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Performing Transversally: Reimagining Shakespeare and the Critical Future (review)

Thomas Cartelli
pp. 329-331
DOI: https://doi.org/10.1353/tj.2005.0051
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Mary Magdalene and the Drama of Saints: Theatre, Gender, and Religion in Late Medieval England (review)

Kevin Babbitt
pp. 331-332
DOI: https://doi.org/10.1353/tj.2005.0046
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Hrotsvit of Gandersheim: Contexts, Identities, Affinities, and Performances, and: The Gendered Pulpit: Preaching in American Protestant Spaces (review)

Peter Civetta
pp. 332-334
DOI: https://doi.org/10.1353/tj.2005.0054
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Staging Masculinities: History, Gender, Performance (review)

Robert Vorlicky
pp. 334-336
DOI: https://doi.org/10.1353/tj.2005.0042
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Making Americans: Jews and the Broadway Musical (review)

Bruce Kirle
pp. 336-337
DOI: https://doi.org/10.1353/tj.2005.0068
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Anna Held and the Birth of Ziegfeld's Broadway (review)

Ray Miller
pp. 337-338
DOI: https://doi.org/10.1353/tj.2005.0070
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Our Musicals, Ourselves: A Social History of the American Musical Theatre (review)

Warren Hoffman
pp. 338-339
DOI: https://doi.org/10.1353/tj.2005.0061
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Performance and Evolution in the Age of Darwin: Out of the Natural Order (review)

Andrea J. Onstad
pp. 340-341
DOI: https://doi.org/10.1353/tj.2005.0073
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Harlequin Britain: Pantomime and Entertainment, 1690-1760 (review)

Jason Shaffer
pp. 341-342
DOI: https://doi.org/10.1353/tj.2005.0078
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Vanishing Women: Magic, Film, and Feminism (review)

Francesca Coppa
pp. 342-344
DOI: https://doi.org/10.1353/tj.2005.0055
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Staging the Savage God: The Grotesque in Performance (review)

Nicholas Ridout
pp. 344-345
DOI: https://doi.org/10.1353/tj.2005.0077
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Doctoral Projects in Progress in Theatre Arts, 2005

Linda Donahue, James McDermott
pp. 347-351
DOI: https://doi.org/10.1353/tj.2005.0057
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Editorial Comment

Harry Justin Elam
pp. vii-viii
DOI: https://doi.org/10.1353/tj.2005.0059
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