1. Daniil Kharms, the Hunger Artist: Toward Eden, and the Other Way Around
  2. Branislav Jakovljevic
  3. pp. 167-189
  4. DOI: 10.1353/tj.2005.0065
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  1. Bodies, Race, and Performance in Derek Walcott's A Branch of the Blue Nile
  2. Joyce Green MacDonald
  3. pp. 191-203
  4. DOI: 10.1353/tj.2005.0069
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  1. Performing Australian Identity: Gendering King Lear
  2. Philippa Kelly
  3. pp. 205-227
  4. DOI: 10.1353/tj.2005.0067
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  1. Reinserting Woman into Contemporary Chinese National Identity: A Comparative Reading of Three "New Immigrant" Plays from 1990s Shanghai
  2. Hongjun Su
  3. pp. 229-246
  4. DOI: 10.1353/tj.2005.0043
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  1. The Bind of Representation: Performing and Consuming Hypersexuality in Miss Saigon
  2. Celine Parreñas Shimizu
  3. pp. 247-265
  4. DOI: 10.1353/tj.2005.0079
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  1. The Fula from America: An African Journey (review)
  2. Margaret Werry
  3. pp. 267-268
  4. DOI: 10.1353/tj.2005.0082
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  1. Exits and Entrances, and: Nothing but the Truth (review)
  2. Kevin J. Wetmore
  3. pp. 269-272
  4. DOI: 10.1353/tj.2005.0083
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  1. Mindelact (review)
  2. Eunice Ferreira
  3. pp. 272-277
  4. DOI: 10.1353/tj.2005.0060
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  1. Operetta, and: The Marriage (review)
  2. Helen E. Richardson
  3. pp. 278-280
  4. DOI: 10.1353/tj.2005.0076
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  1. Theatrical Confrontations
  2. Kimberly Jannarone
  3. pp. 280-284
  4. DOI: 10.1353/tj.2005.0066
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  1. Hell Meets Henry Halfway (review)
  2. Roger Babb
  3. pp. 284-286
  4. DOI: 10.1353/tj.2005.0045
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  1. The Boy Like a Pinkie (review)
  2. John Hofland
  3. pp. 286-288
  4. DOI: 10.1353/tj.2005.0062
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  1. Theatertreffen Festival (review)
  2. Klaus van den Berg
  3. pp. 289-294
  4. DOI: 10.1353/tj.2005.0048
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  1. The Shaughraun (review)
  2. Karen O'Brien
  3. pp. 294-296
  4. DOI: 10.1353/tj.2005.0071
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  1. The Playboy of the Western World (review)
  2. Deirdre O'Leary
  3. pp. 296-298
  4. DOI: 10.1353/tj.2005.0072
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  1. 4:48 Psychosis (review)
  2. Steve Earnest
  3. pp. 298-300
  4. DOI: 10.1353/tj.2005.0058
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  1. The Bay at Nice (review)
  2. Miriam M. Chirico
  3. pp. 300-303
  4. DOI: 10.1353/tj.2005.0052
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  1. Stuff Happens (review)
  2. Janelle G. Reinelt
  3. pp. 303-306
  4. DOI: 10.1353/tj.2005.0075
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  1. Rage is Not a 1-Day Thing!: The Untaught History of the Montgomery Bus Boycott (review)
  2. Raina S. Ames
  3. pp. 306-308
  4. DOI: 10.1353/tj.2005.0044
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  1. The Glass Menagerie (review)
  2. Brett Ashley Crawford
  3. pp. 308-311
  4. DOI: 10.1353/tj.2005.0056
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  1. Oedipus (review)
  2. Owen Edward Brady
  3. pp. 311-313
  4. DOI: 10.1353/tj.2005.0049
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  1. Hamlet (review)
  2. Fatma Necla Cikigil
  3. pp. 313-315
  4. DOI: 10.1353/tj.2005.0053
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  1. The Dog in the Manger, and: Tamar's Revenge, and: House of Desires (review)
  2. David Pasto
  3. pp. 315-318
  4. DOI: 10.1353/tj.2005.0074
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  1. A Short History of Western Performance Space
  2. D. J. Hopkins
  3. pp. 319-320
  4. DOI: 10.1353/tj.2005.0063
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  1. Land/Scape/Theater (review)
  2. Joshua Abrams
  3. pp. 320-321
  4. DOI: 10.1353/tj.2005.0041
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  1. Shakespeare in Canada: A World Elsewhere? (review)
  2. Jenn Stephenson
  3. pp. 322-323
  4. DOI: 10.1353/tj.2005.0080
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  1. Theater sans frontieres: Essays on the Dramatic Universe of Robert Lepage, and: The Theatre of Form and the Production of Meaning: Contemporary Canadian Dramaturgies (review)
  2. Bruce Barton
  3. pp. 323-325
  4. DOI: 10.1353/tj.2005.0047
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  1. Redressing the Past: The Politics of Early English-Canadian Women's Drama, 1880-1920 (review)
  2. Meghan Brodie
  3. pp. 325-327
  4. DOI: 10.1353/tj.2005.0050
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  1. Marlowe and the Popular Tradition: Innovation in the English Drama Before 1595 (review)
  2. Julie Jackson
  3. pp. 327-328
  4. DOI: 10.1353/tj.2005.0064
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  1. Looking for Sex in Shakespeare (review)
  2. Jeff Wax
  3. pp. 328-329
  4. DOI: 10.1353/tj.2005.0081
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  1. Performing Transversally: Reimagining Shakespeare and the Critical Future (review)
  2. Thomas Cartelli
  3. pp. 329-331
  4. DOI: 10.1353/tj.2005.0051
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  1. Mary Magdalene and the Drama of Saints: Theatre, Gender, and Religion in Late Medieval England (review)
  2. Kevin Babbitt
  3. pp. 331-332
  4. DOI: 10.1353/tj.2005.0046
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  1. Hrotsvit of Gandersheim: Contexts, Identities, Affinities, and Performances, and: The Gendered Pulpit: Preaching in American Protestant Spaces (review)
  2. Peter Civetta
  3. pp. 332-334
  4. DOI: 10.1353/tj.2005.0054
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  1. Staging Masculinities: History, Gender, Performance (review)
  2. Robert Vorlicky
  3. pp. 334-336
  4. DOI: 10.1353/tj.2005.0042
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  1. Making Americans: Jews and the Broadway Musical (review)
  2. Bruce Kirle
  3. pp. 336-337
  4. DOI: 10.1353/tj.2005.0068
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  1. Anna Held and the Birth of Ziegfeld's Broadway (review)
  2. Ray Miller
  3. pp. 337-338
  4. DOI: 10.1353/tj.2005.0070
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  1. Our Musicals, Ourselves: A Social History of the American Musical Theatre (review)
  2. Warren Hoffman
  3. pp. 338-339
  4. DOI: 10.1353/tj.2005.0061
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  1. Performance and Evolution in the Age of Darwin: Out of the Natural Order (review)
  2. Andrea J. Onstad
  3. pp. 340-341
  4. DOI: 10.1353/tj.2005.0073
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  1. Harlequin Britain: Pantomime and Entertainment, 1690-1760 (review)
  2. Jason Shaffer
  3. pp. 341-342
  4. DOI: 10.1353/tj.2005.0078
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  1. Vanishing Women: Magic, Film, and Feminism (review)
  2. Francesca Coppa
  3. pp. 342-344
  4. DOI: 10.1353/tj.2005.0055
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  1. Staging the Savage God: The Grotesque in Performance (review)
  2. Nicholas Ridout
  3. pp. 344-345
  4. DOI: 10.1353/tj.2005.0077
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  1. Doctoral Projects in Progress in Theatre Arts, 2005
  2. Linda Donahue, James McDermott
  3. pp. 347-351
  4. DOI: 10.1353/tj.2005.0057
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  1. Editorial Comment
  2. Harry Justin Elam
  3. pp. vii-viii
  4. DOI: 10.1353/tj.2005.0059
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